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Conferences in DBLP

(candc)
2005 (conf/candc/2005)

  1. Margaret A. Boden
    Aesthetics and interactive art. [Citation Graph (0, 0)][DBLP]
    Creativity & Cognition, 2005, pp:1-2 [Conf]
  2. Bill Buxton
    The renaissance is over: long live the renaissance. [Citation Graph (0, 0)][DBLP]
    Creativity & Cognition, 2005, pp:3- [Conf]
  3. Marc Cavazza, Jean-Luc Lugrin, Sean Crooks, Alok Nandi, Mark Palmer, Marc Le Renard
    Causality and virtual reality art. [Citation Graph (0, 0)][DBLP]
    Creativity & Cognition, 2005, pp:4-12 [Conf]
  4. Michael Eisenberg, Nwanua Elumeze, Leah Buechley, Glenn Blauvelt, S. Hendrix, Ann Eisenberg
    The homespun museum: computers, fabrication, and the design of personalized exhibits. [Citation Graph (0, 0)][DBLP]
    Creativity & Cognition, 2005, pp:13-21 [Conf]
  5. Brower Hatcher, Karl Aspelund, Andrew R. Willis, Jasper Speicher, David B. Cooper, Frederic F. Leymarie
    Computational schemes for biomimetic sculpture. [Citation Graph (0, 0)][DBLP]
    Creativity & Cognition, 2005, pp:22-31 [Conf]
  6. Joanna Berzowska
    Memory rich clothing: second skins that communicate physical memory. [Citation Graph (0, 0)][DBLP]
    Creativity & Cognition, 2005, pp:32-40 [Conf]
  7. Petra Gemeinboeck
    Constituting, traversing and perforating boundaries: embodied interaction in immersive virtual spaces. [Citation Graph (0, 0)][DBLP]
    Creativity & Cognition, 2005, pp:41-48 [Conf]
  8. Jack Ox
    Gridjam. [Citation Graph (0, 0)][DBLP]
    Creativity & Cognition, 2005, pp:49-53 [Conf]
  9. Frieder Nake
    Computer art: a personal recollection. [Citation Graph (0, 0)][DBLP]
    Creativity & Cognition, 2005, pp:54-62 [Conf]
  10. Sue Thomas
    The tools of online community: the first five years of the trAce online writing centre. [Citation Graph (0, 0)][DBLP]
    Creativity & Cognition, 2005, pp:63-70 [Conf]
  11. Nicholas Lambert
    The CACHe project: its work and outcomes. [Citation Graph (0, 0)][DBLP]
    Creativity & Cognition, 2005, pp:71-75 [Conf]
  12. Stephen Jones
    A cultural systems approach to collaboration in art & technology. [Citation Graph (0, 0)][DBLP]
    Creativity & Cognition, 2005, pp:76-85 [Conf]
  13. George Mallen
    Reflections on Gordon Pask's adaptive teaching concepts and their relevance to modern knowledge systems. [Citation Graph (0, 0)][DBLP]
    Creativity & Cognition, 2005, pp:86-91 [Conf]
  14. Christopher L. Salter, Sha Xin Wei
    Sponge: a case study in practice-based collaborative art research. [Citation Graph (0, 0)][DBLP]
    Creativity & Cognition, 2005, pp:92-101 [Conf]
  15. Aleksandar Zivanovic
    The development of a cybernetic sculptor: Edward Ihnatowicz and the senster. [Citation Graph (0, 0)][DBLP]
    Creativity & Cognition, 2005, pp:102-108 [Conf]
  16. Christoph Klütsch
    The summer 1968 in London and Zagreb: starting or end point for computer art? [Citation Graph (0, 0)][DBLP]
    Creativity & Cognition, 2005, pp:109-117 [Conf]
  17. Andy Warr, Eamonn O'Neill
    Understanding design as a social creative process. [Citation Graph (0, 0)][DBLP]
    Creativity & Cognition, 2005, pp:118-127 [Conf]
  18. Gerhard Fischer
    Distances and diversity: sources for social creativity. [Citation Graph (0, 0)][DBLP]
    Creativity & Cognition, 2005, pp:128-136 [Conf]
  19. Robin Oppenheimer
    A strange dance: the creative collaborative origins & processes of "9 evenings: theatre & engineering". [Citation Graph (0, 0)][DBLP]
    Creativity & Cognition, 2005, pp:137-143 [Conf]
  20. Jerry Watkins, Angelina Russo
    Digital cultural communication: designing co-creative new media environments. [Citation Graph (0, 0)][DBLP]
    Creativity & Cognition, 2005, pp:144-149 [Conf]
  21. Norio Ishii, Kazuhisa Miwa
    Supporting reflective practice in creativity education. [Citation Graph (0, 0)][DBLP]
    Creativity & Cognition, 2005, pp:150-157 [Conf]
  22. Stephen Boyd Davis, Magnus Moar
    The amateur creator. [Citation Graph (0, 0)][DBLP]
    Creativity & Cognition, 2005, pp:158-165 [Conf]
  23. Andrew Johnston, Shigeki Amitani, Ernest A. Edmonds
    Amplifying reflective thinking in musical performance. [Citation Graph (0, 0)][DBLP]
    Creativity & Cognition, 2005, pp:166-175 [Conf]
  24. Pamela Jennings
    Tangible social interfaces: critical theory, boundary objects and interdisciplinary design methods. [Citation Graph (0, 0)][DBLP]
    Creativity & Cognition, 2005, pp:176-186 [Conf]
  25. Lori Shyba, James Tam
    Developing character personas and scenarios: vital steps in theatrical performance and HCI goal-directed design. [Citation Graph (0, 0)][DBLP]
    Creativity & Cognition, 2005, pp:187-194 [Conf]
  26. John Restrepo, Henri Christiaans
    From function to context to form: precedents and focus shifts in the form creation process. [Citation Graph (0, 0)][DBLP]
    Creativity & Cognition, 2005, pp:195-204 [Conf]
  27. Sha Xin Wei, Satinder P. Gill
    Gesture and response in field-based performance. [Citation Graph (0, 0)][DBLP]
    Creativity & Cognition, 2005, pp:205-209 [Conf]
  28. Mike Leggett
    Losers and finders: indexing audio-visual digital media. [Citation Graph (0, 0)][DBLP]
    Creativity & Cognition, 2005, pp:210-217 [Conf]
  29. Shigeki Amitani, Ernest A. Edmonds
    Knowledge nebula crystallizer for time-based information. [Citation Graph (0, 0)][DBLP]
    Creativity & Cognition, 2005, pp:218-221 [Conf]
  30. Jürg Gutknecht, Arthur Clay, Thomas M. Frey
    GoingPublik: suggesting creativity inside the ivory tower. [Citation Graph (0, 0)][DBLP]
    Creativity & Cognition, 2005, pp:222-225 [Conf]
  31. Peter Copley, Andrew Gartland-Jones
    Musical form and algorithmic solutions. [Citation Graph (0, 0)][DBLP]
    Creativity & Cognition, 2005, pp:226-231 [Conf]
  32. Gary R. Greenfield
    Computational aesthetics as a tool for creativity. [Citation Graph (0, 0)][DBLP]
    Creativity & Cognition, 2005, pp:232-235 [Conf]
  33. Mike Leggett
    PathScape: indexing audio-visual digital media. [Citation Graph (0, 0)][DBLP]
    Creativity & Cognition, 2005, pp:236-239 [Conf]
  34. Phebe Mann
    Design for design: support for creative practice in computer-supported collaborative work (CSCW) in design. [Citation Graph (0, 0)][DBLP]
    Creativity & Cognition, 2005, pp:240-243 [Conf]
  35. Stuart Mealing
    Drawing in three dimensions: a paradigm shift. [Citation Graph (0, 0)][DBLP]
    Creativity & Cognition, 2005, pp:244-247 [Conf]
  36. Tim Blackwell, Janis Jefferies
    Tech-tiles: exploring texture. [Citation Graph (0, 0)][DBLP]
    Creativity & Cognition, 2005, pp:248-251 [Conf]
  37. Tracy Cohen, Ben Clemens
    Social networks for creative collaboration. [Citation Graph (0, 0)][DBLP]
    Creativity & Cognition, 2005, pp:252-255 [Conf]
  38. Hans E. Dehlinger
    Generating pen-plotter drawings from selective point-sets of digital photographs. [Citation Graph (0, 0)][DBLP]
    Creativity & Cognition, 2005, pp:256-258 [Conf]
  39. Kelly Dobson
    Wearable body organs: critical cognition becomes (again) somatic. [Citation Graph (0, 0)][DBLP]
    Creativity & Cognition, 2005, pp:259-262 [Conf]
  40. Pamela Jennings
    Constructed narratives a tangible social interface. [Citation Graph (0, 0)][DBLP]
    Creativity & Cognition, 2005, pp:263-266 [Conf]
  41. Barbara Layne, Yacov Sharir
    Twining: a demonstration in wearable computing. [Citation Graph (0, 0)][DBLP]
    Creativity & Cognition, 2005, pp:267-268 [Conf]
  42. Peter Steel
    Timeline of a drawing research methodology 1983 - 2004. [Citation Graph (0, 0)][DBLP]
    Creativity & Cognition, 2005, pp:269-272 [Conf]
  43. Ingrid Bachmann
    Digital crustaceans: homesteading on the world wide web. [Citation Graph (0, 0)][DBLP]
    Creativity & Cognition, 2005, pp:273-274 [Conf]
  44. Derek Michael Besant
    Sleepless night: amnesia. [Citation Graph (0, 0)][DBLP]
    Creativity & Cognition, 2005, pp:275-278 [Conf]
  45. Guy Birkin
    Art, digitality and consciousness. [Citation Graph (0, 0)][DBLP]
    Creativity & Cognition, 2005, pp:279-282 [Conf]
  46. Jim Bizzocchi
    Streaming video: an experiment in new aesthetics. [Citation Graph (0, 0)][DBLP]
    Creativity & Cognition, 2005, pp:283-285 [Conf]
  47. Sandy Black, Morris Baker
    Work in process: artists' collaborations in fashion and textiles. [Citation Graph (0, 0)][DBLP]
    Creativity & Cognition, 2005, pp:286-288 [Conf]
  48. Ernest A. Edmonds, Mark Fell
    Kyoto to Sheffield. [Citation Graph (0, 0)][DBLP]
    Creativity & Cognition, 2005, pp:289-290 [Conf]
  49. Kellyann Geurts
    A theory of error. [Citation Graph (0, 0)][DBLP]
    Creativity & Cognition, 2005, pp:291-293 [Conf]
  50. Alexandra Haeseker
    Burning Sappho's books. [Citation Graph (0, 0)][DBLP]
    Creativity & Cognition, 2005, pp:294-297 [Conf]
  51. Brower Hatcher, Karl Aspelund, Andrew R. Willis, Jasper Speicher, David B. Cooper, Frederic F. Leymarie
    Exhibition: computational schemes for biomimetic sculpture. [Citation Graph (0, 0)][DBLP]
    Creativity & Cognition, 2005, pp:298-300 [Conf]
  52. Warren Neidich, Robert Zimmer, Thibaud de Souza
    Society of neurons: an arts/science project. [Citation Graph (0, 0)][DBLP]
    Creativity & Cognition, 2005, pp:301-304 [Conf]
  53. Lorraine Oades
    Invisible sculpture #1. [Citation Graph (0, 0)][DBLP]
    Creativity & Cognition, 2005, pp:305- [Conf]
  54. Bruce Wands
    Variations: an interactive musical sculpture. [Citation Graph (0, 0)][DBLP]
    Creativity & Cognition, 2005, pp:306-309 [Conf]
  55. John Haworth, Sue Gollifer, James Faure Walker, Paul Coldwell, Tom Kemp, Jon Pengelly
    Freedom and constraint in the creative process in digital fine art: an AHRB invited workshop. [Citation Graph (0, 0)][DBLP]
    Creativity & Cognition, 2005, pp:310-317 [Conf]
  56. Thomas T. Hewett
    Cognitive factors in design: overview and some implications for design. [Citation Graph (0, 0)][DBLP]
    Creativity & Cognition, 2005, pp:318-321 [Conf]
  57. Paul Brown, Phil Husbands, Margaret A. Boden, Catherine Mason, Alan Sutcliffe
    Creating histories. [Citation Graph (0, 0)][DBLP]
    Creativity & Cognition, 2005, pp:322-323 [Conf]
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