Conferences in DBLP
(candc) 2002 (conf/candc/2002)
Ben Shneiderman Creativity support tools: a tutorial overview. [Citation Graph (0, 0)][DBLP ] Creativity & Cognition, 2002, pp:1-2 [Conf ] John S. Gero Computational models of creative designing based on situated cognition. [Citation Graph (0, 0)][DBLP ] Creativity & Cognition, 2002, pp:3-10 [Conf ] Brent MacGregor Cybernetic serendipity revisited. [Citation Graph (0, 0)][DBLP ] Creativity & Cognition, 2002, pp:11-13 [Conf ] Nigel Cross Creative cognition in design: processes of exceptional designers. [Citation Graph (0, 0)][DBLP ] Creativity & Cognition, 2002, pp:14-19 [Conf ] Jack Ox 2 performances in the 21st century virtual color organ. [Citation Graph (0, 0)][DBLP ] Creativity & Cognition, 2002, pp:20-24 [Conf ] Linda Candy , Bronac Ferran , Judith Mottram , Ernest A. Edmonds , John Haworth , Jon Pettigrew Panel: research into art and technology. [Citation Graph (0, 0)][DBLP ] Creativity & Cognition, 2002, pp:25-30 [Conf ] Marc Vass , John M. Carroll , Clifford A. Shaffer Supporting creativity in problem solving environments. [Citation Graph (0, 0)][DBLP ] Creativity & Cognition, 2002, pp:31-37 [Conf ] Michael A. Terry , Elizabeth D. Mynatt Recognizing creative needs in user interface design. [Citation Graph (0, 0)][DBLP ] Creativity & Cognition, 2002, pp:38-44 [Conf ] Geoff Cox Generator: the dialectics of orderly disorder. [Citation Graph (0, 0)][DBLP ] Creativity & Cognition, 2002, pp:45-49 [Conf ] Robert Pepperell Computer aided creativity: practical experience and theoretical concerns. [Citation Graph (0, 0)][DBLP ] Creativity & Cognition, 2002, pp:50-56 [Conf ] Winger Tseng , Stephen A. R. Scrivener , Linden J. Ball The impact of functional knowledge on sketching. [Citation Graph (0, 0)][DBLP ] Creativity & Cognition, 2002, pp:57-64 [Conf ] George Whale Why use computers to make drawings? [Citation Graph (0, 0)][DBLP ] Creativity & Cognition, 2002, pp:65-71 [Conf ] Remko van der Lugt Functions of sketching in design idea generation meetings. [Citation Graph (0, 0)][DBLP ] Creativity & Cognition, 2002, pp:72-79 [Conf ] Rob Saunders , John S. Gero How to study artificial creativity. [Citation Graph (0, 0)][DBLP ] Creativity & Cognition, 2002, pp:80-87 [Conf ] Mike King Computers and modern art: digital art museum. [Citation Graph (0, 0)][DBLP ] Creativity & Cognition, 2002, pp:88-94 [Conf ] Kari Kuutti , Giulio Iacucci , Carlo Iacucci Acting to know: improving creativity in the design of mobile services by using performances. [Citation Graph (0, 0)][DBLP ] Creativity & Cognition, 2002, pp:95-102 [Conf ] Kumiyo Nakakoji , Yasuhiro Yamamoto , Atsushi Aoki Interaction design as a collective creative process. [Citation Graph (0, 0)][DBLP ] Creativity & Cognition, 2002, pp:103-110 [Conf ] Chika Oshima , Kazushi Nishimoto , Yohei Miyagawa , Takashi Shirosaki A concept to facilitate musical expression. [Citation Graph (0, 0)][DBLP ] Creativity & Cognition, 2002, pp:111-117 [Conf ] Yukari Nagai , Hisataka Noguchi How designers transform keywords into visual images. [Citation Graph (0, 0)][DBLP ] Creativity & Cognition, 2002, pp:118-125 [Conf ] Liane Gabora Cognitive mechanisms underlying the creative process. [Citation Graph (0, 0)][DBLP ] Creativity & Cognition, 2002, pp:126-133 [Conf ] Linda Candy , Ernest A. Edmonds Modeling co-creativity in art and technology. [Citation Graph (0, 0)][DBLP ] Creativity & Cognition, 2002, pp:134-141 [Conf ] Hirohito Shibata , Koichi Hori A system to support long-term creative thinking in daily life and its evaluation. [Citation Graph (0, 0)][DBLP ] Creativity & Cognition, 2002, pp:142-149 [Conf ] Josephine Anstey , Dave Pape Scripting the interactor: an approach to VR drama. [Citation Graph (0, 0)][DBLP ] Creativity & Cognition, 2002, pp:150-156 [Conf ] Steven Abrams , Ralph Bellofatto , Robert Fuhrer , Daniel Oppenheim , James L. Wright , Richard Boulanger , Neil Leonard , David Mash , Michael Rendish , Joe Smith QSketcher: an environment for composing music for film. [Citation Graph (0, 0)][DBLP ] Creativity & Cognition, 2002, pp:157-164 [Conf ] Shigeki Amitani , Koichi Hori Supporting musical composition by externalizing the composer's mental space. [Citation Graph (0, 0)][DBLP ] Creativity & Cognition, 2002, pp:165-172 [Conf ] Eduardo Reck Miranda Sounds of artificial life. [Citation Graph (0, 0)][DBLP ] Creativity & Cognition, 2002, pp:173-177 [Conf ] Norio Ishii , Kazuhisa Miwa Interactive processes between mental and external operations in creative activity: a comparison of experts' and novices' performance. [Citation Graph (0, 0)][DBLP ] Creativity & Cognition, 2002, pp:178-185 [Conf ] Johan F. Hoorn A model for information technologies that can be creative. [Citation Graph (0, 0)][DBLP ] Creativity & Cognition, 2002, pp:186-191 [Conf ] Andruid Kerne Concept-context-design: a creative model for the development of interactivity. [Citation Graph (0, 0)][DBLP ] Creativity & Cognition, 2002, pp:192-199 [Conf ]