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Conferences in DBLP

(candc)
1999 (conf/candc/1999)

  1. Linda Candy, Ernest A. Edmonds
    Introducing creativity to cognition. [Citation Graph (0, 0)][DBLP]
    Creativity & Cognition, 1999, pp:3-6 [Conf]
  2. Marvin Minsky
    The emotion machine: from pain to suffering. [Citation Graph (0, 0)][DBLP]
    Creativity & Cognition, 1999, pp:7-13 [Conf]
  3. Harold Cohen
    A self-defining game for one player. [Citation Graph (0, 0)][DBLP]
    Creativity & Cognition, 1999, pp:14- [Conf]
  4. Ben Shneiderman
    User interfaces for creativity support tools. [Citation Graph (0, 0)][DBLP]
    Creativity & Cognition, 1999, pp:15-22 [Conf]
  5. Stelarc
    From zombies to cyborg bodies: exoskeleton, extra ear and avatars. [Citation Graph (0, 0)][DBLP]
    Creativity & Cognition, 1999, pp:23- [Conf]
  6. Thomas T. Hewett
    Cognitive factors in design (tutorial session): basic phenomena in human memory and problem solving. [Citation Graph (0, 0)][DBLP]
    Creativity & Cognition, 1999, pp:26-27 [Conf]
  7. Terryl Bacon, Martin Rieser, Constance Fleuriot, Priscilla Heard, Glenn Easy
    Do engineers and artists make good love objects ? (panel session). [Citation Graph (0, 0)][DBLP]
    Creativity & Cognition, 1999, pp:28-29 [Conf]
  8. Nigel Birch, James Plummer, Geraint A. Wiggins, Bronac Ferran, Robin Lyons
    Nurturing creativity (panel session). [Citation Graph (0, 0)][DBLP]
    Creativity & Cognition, 1999, pp:30-35 [Conf]
  9. Ernest A. Edmonds, Linda Candy, Geoff Cox, Jacob Eisenstein, Gerhard Fischer, Bob Hughes, Thomas T. Hewett
    Individual and/versus social creativity (panel session). [Citation Graph (0, 0)][DBLP]
    Creativity & Cognition, 1999, pp:36-39 [Conf]
  10. Jana Z. Sedivy, Hilary Johnson
    Supporting creative work tasks: the potential of multimodal tools to support sketching. [Citation Graph (0, 0)][DBLP]
    Creativity & Cognition, 1999, pp:42-49 [Conf]
  11. Glenn Blauvelt, Thomas Wrensch, Michael Eisenberg
    Integrating craft materials and computation. [Citation Graph (0, 0)][DBLP]
    Creativity & Cognition, 1999, pp:50-56 [Conf]
  12. Tang-Chun Li
    Who or what is making the music: music creation in a machine age. [Citation Graph (0, 0)][DBLP]
    Creativity & Cognition, 1999, pp:57-62 [Conf]
  13. Gregory P. Garvey
    The split-brain human computer user interface. [Citation Graph (0, 0)][DBLP]
    Creativity & Cognition, 1999, pp:63-67 [Conf]
  14. Shoji Tanaka, Jun Kurumisawa, Andre Plante, Yuichi Iwadate, Seiji Inokuchi
    Composition analyzer: computer supported composition analysis of masterpieces. [Citation Graph (0, 0)][DBLP]
    Creativity & Cognition, 1999, pp:68-75 [Conf]
  15. Bert Bongers
    Exploring Novel ways of interaction in musical performance. [Citation Graph (0, 0)][DBLP]
    Creativity & Cognition, 1999, pp:76-81 [Conf]
  16. Hisataka Noguchi
    How do material constraints affect design creativity? [Citation Graph (0, 0)][DBLP]
    Creativity & Cognition, 1999, pp:82-87 [Conf]
  17. Dante Tanzi
    Preliminary observations about music and decentralized environments. [Citation Graph (0, 0)][DBLP]
    Creativity & Cognition, 1999, pp:88-92 [Conf]
  18. Mike King
    The new metaphysics and the deep structure of creativity and cognition. [Citation Graph (0, 0)][DBLP]
    Creativity & Cognition, 1999, pp:93-100 [Conf]
  19. Vittorio Mischi
    Skunk Works: "speciation" strategies for creativity. [Citation Graph (0, 0)][DBLP]
    Creativity & Cognition, 1999, pp:101-107 [Conf]
  20. Kazushi Nishimoto, Kenji Mase
    A proposal for a framework for general multimedia art creation instruments. [Citation Graph (0, 0)][DBLP]
    Creativity & Cognition, 1999, pp:108-115 [Conf]
  21. Gerhard Fischer
    Symmetry of igorance, social creativity, and meta-design. [Citation Graph (0, 0)][DBLP]
    Creativity & Cognition, 1999, pp:116-123 [Conf]
  22. Alberto Faro, Daniela Giordano
    Ontology, aesthetics and creativity at the crossroads in information system design. [Citation Graph (0, 0)][DBLP]
    Creativity & Cognition, 1999, pp:124-131 [Conf]
  23. Carol Strohecker
    What would Ce´zanne think? [Citation Graph (0, 0)][DBLP]
    Creativity & Cognition, 1999, pp:132-134 [Conf]
  24. Ryohei Nakatsu, Joy Nicholson, Naoko Tosa
    Emotion recognition and its application to computer agents with spontaneous interactive capabilities. [Citation Graph (0, 0)][DBLP]
    Creativity & Cognition, 1999, pp:135-143 [Conf]
  25. Alain Bonardi, Francis Rousseaux
    Composing interactive virtual operas. [Citation Graph (0, 0)][DBLP]
    Creativity & Cognition, 1999, pp:144-147 [Conf]
  26. Luisa Paraguai Donati, Gilberto Prado
    Artistic environments of telepresence in the WWW. [Citation Graph (0, 0)][DBLP]
    Creativity & Cognition, 1999, pp:148-151 [Conf]
  27. John Lycette, Greg O'Connor, Darren Tofts, Peter Webb, Christopher Waller
    A CONCEIT: a collaborative mapping in 3 spaces. [Citation Graph (0, 0)][DBLP]
    Creativity & Cognition, 1999, pp:152-157 [Conf]
  28. Nathalie Bonnardel
    Creativity in design activities: the role of analogies in a constrained cognitive environment. [Citation Graph (0, 0)][DBLP]
    Creativity & Cognition, 1999, pp:158-165 [Conf]
  29. Kumiyo Nakakoji, Yasuhiro Yamamoto, Masao Ohira
    A framework that supports collective creativity in design using visual images. [Citation Graph (0, 0)][DBLP]
    Creativity & Cognition, 1999, pp:166-173 [Conf]
  30. Bryan Lawson
    "Fake" and "Real" creativity using computer aided design: some lessons from Herman Hertzberger. [Citation Graph (0, 0)][DBLP]
    Creativity & Cognition, 1999, pp:174-179 [Conf]
  31. Ricardo Sosa
    Modelling creative design through conversation analysis. [Citation Graph (0, 0)][DBLP]
    Creativity & Cognition, 1999, pp:182-183 [Conf]
  32. Tsutomu Miyasato
    Generation of passion spaces from "Tanka" poems. [Citation Graph (0, 0)][DBLP]
    Creativity & Cognition, 1999, pp:184-186 [Conf]
  33. Sue Thomas
    Early engagements of creative writers with online media. [Citation Graph (0, 0)][DBLP]
    Creativity & Cognition, 1999, pp:187-188 [Conf]
  34. Bettina Brendal
    Art as metaphor. [Citation Graph (0, 0)][DBLP]
    Creativity & Cognition, 1999, pp:189-190 [Conf]
  35. Jean-Paul Longavesne
    Revolution in art: networking painting machine. [Citation Graph (0, 0)][DBLP]
    Creativity & Cognition, 1999, pp:191-192 [Conf]
  36. Jonathan Bedworth, James Norwood
    The Turing test is dead ... [Citation Graph (0, 0)][DBLP]
    Creativity & Cognition, 1999, pp:193-194 [Conf]
  37. Michael Quantrill
    Drawing as a function of movement. [Citation Graph (0, 0)][DBLP]
    Creativity & Cognition, 1999, pp:195-196 [Conf]
  38. Doug Riecken
    Wolfgang: "Emotions" plus goals enable learning. [Citation Graph (0, 0)][DBLP]
    Creativity & Cognition, 1999, pp:197-198 [Conf]
  39. Hélia Vannucchi de Almeida Santos
    Thwarting the Web users' expectations. [Citation Graph (0, 0)][DBLP]
    Creativity & Cognition, 1999, pp:199-200 [Conf]
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