Conferences in DBLP
Sidney Fels , Linda Kaastra , Sachiyo Takahashi , Graeme McCaig Evolving Tooka: from Experiment to Instrument. [Citation Graph (0, 0)][DBLP ] Conf ] Ajay Kapur , Ari J. Lazier , Philip Davidson , R. Scott Wilson , Perry R. Cook The Electronic Sitar Controller. [Citation Graph (0, 0)][DBLP ] Conf ] Masami Takahata , Kensuke Shiraki , Yutaka Sakane , Yoichi Takebayashi Sound Feedback for Powerful Karate Training. [Citation Graph (0, 0)][DBLP ] Conf ] Martin Kaltenbrunner , Gunter Geiger , Sergi Jordà Dynamic Patching for Live Musical Performance. [Citation Graph (0, 0)][DBLP ] Conf ] Diana Young , Ichiro Fujinaga Aobachi: A New Interface for Japanese Drumming. [Citation Graph (0, 0)][DBLP ] Conf ] Nick Bryan-Kinns , Patrick G. T. Healey Daisyphone: Support for Remote Music Collaboration. [Citation Graph (0, 0)][DBLP ] Conf ] Christophe Havel , Myriam Desainte-Catherine Modeling an air percussion for composition and performance. [Citation Graph (0, 0)][DBLP ] Conf ] Mark Nelson , Belinda Thom A Survey of Real-Time MIDI Performance. [Citation Graph (0, 0)][DBLP ] Conf ] Arshia Cont , Thierry Coduys , Cyrille Henry Real-time Gesture Mapping in Pd Environment using Neural Networks. [Citation Graph (0, 0)][DBLP ] Conf ] Assaf K. Talmudi The Decentralized Pianola: Evolving Mechanical Music Instruments Using a Genetic Algorithm. [Citation Graph (0, 0)][DBLP ] Conf ] James Mandelis , Phil Husbands Don't Just Play it, Grow it! : Breeding Sound Synthesis and Performance Mappings. [Citation Graph (0, 0)][DBLP ] Conf ] Judith Shatin , David Topper Tree Music: Composing with GAIA. [Citation Graph (0, 0)][DBLP ] Conf ] Gideon D'Arcangelo Recycling Music, Answering Back: Toward an Oral Tradition of Electronic Music. [Citation Graph (0, 0)][DBLP ] Conf ] Sergi Jordà Digital Instruments and Players: Part I - Efficiency and Apprenticeship. [Citation Graph (0, 0)][DBLP ] Conf ] Nikita Pashenkov A New Mix of Forgotten Technology: Sound Generation, Sequencing and Performance Using an Optical Turntable. [Citation Graph (0, 0)][DBLP ] Conf ] Eric Lee , Teresa Marrin Nakra , Jan Borchers You're The Conductor: A Realistic Interactive Conducting System for Children. [Citation Graph (0, 0)][DBLP ] Conf ] M. Sile O'Modhrain , Georg Essl PebbleBox and CrumbleBag: Tactile Interfaces for Granular Synthesis. [Citation Graph (0, 0)][DBLP ] Conf ] Garth Paine Gesture and Musical Interaction: Interactive Engagement Through Dynamic Morphology. [Citation Graph (0, 0)][DBLP ] Conf ] Doug Van Nort , Marcelo M. Wanderley , Philippe Depalle On the Choice of Mappings Based On Geometric Properties. [Citation Graph (0, 0)][DBLP ] Conf ] Brian Sheehan The Squiggle: A Digital Musical Instrument. [Citation Graph (0, 0)][DBLP ] Conf ] David Gerhard , Daryl H. Hepting , Matthew McKague Exploration of the correspondence between visual and acoustic parameter spaces. [Citation Graph (0, 0)][DBLP ] Conf ] Chandrasekhar Ramakrishnan , Jason Freeman , Kristjan Varnik , David Birchfield , Phil Burk , Max Neuhaus The Architecture of Auracle: a Real-Time, Distributed, Collaborative Instrument. [Citation Graph (0, 0)][DBLP ] Conf ] Homei Miyashita , Kazushi Nishimoto Thermoscore: A New-type Musical Score with Temperature Sensation. [Citation Graph (0, 0)][DBLP ] Conf ] Stefania Serafin , Diana Young Toward a generalized friction controller: from the bowed string to unusual musical instruments. [Citation Graph (0, 0)][DBLP ] Conf ] Philippe Stanislas Zaborowski ThumbTec: A New Handheld Input Device. [Citation Graph (0, 0)][DBLP ] Conf ] Ryan H. Torchia , Cort Lippe Techniques for Multi-Channel Real-Time Spatial Distribution Using Frequency-Domain Processing. [Citation Graph (0, 0)][DBLP ] Conf ] Rumi Hiraga , Roberto Bresin , Keiji Hirata , Haruhiro Katayose Rencon 2004: Turing Test for Musical Expression. [Citation Graph (0, 0)][DBLP ] Conf ] Haruhiro Katayose , Keita Okudaira Using an Expressive Performance Template in a Music Conducting Interface. [Citation Graph (0, 0)][DBLP ] Conf ] Hideki Kawahara , Hideki Banno , Masanori Morise Acappella synthesis demonstrations using RWC music database. [Citation Graph (0, 0)][DBLP ] Conf ] Roger B. Dannenberg Aura II: Making Real-Time Systems Safe for Music. [Citation Graph (0, 0)][DBLP ] Conf ] Ge Wang , Perry R. Cook "On-the-fly Programming: Using Code as an Expressive Musical Instrument". [Citation Graph (0, 0)][DBLP ] Conf ] Michael Lew Live Cinema: Designing an Instrument for Cinema Editing as a Live Performance. [Citation Graph (0, 0)][DBLP ] Conf ] Cornelius Poepel Synthesized Strings for String Players. [Citation Graph (0, 0)][DBLP ] Conf ] Atau Tanaka Mobile Music Making. [Citation Graph (0, 0)][DBLP ] Conf ] Emmanuel Fléty Versatile sensor acquisition system utilizing Network Technology. [Citation Graph (0, 0)][DBLP ] Conf ] Lalya Gaye , Lars Erik Holmquist In Duet with Everyday Urban Settings: A User Study of Sonic City. [Citation Graph (0, 0)][DBLP ] Conf ] Enrique Franco , Niall J. L. Griffith , Mikael Fernström Issues for Designing a flexible expressive audiovisual system for real-time performance & composition. [Citation Graph (0, 0)][DBLP ] Conf ] Gamhewage C. de Silva , Tamara Smyth , Michael J. Lyons A Novel Face-tracking Mouth Controller and its Application to Interacting with Bioacoustic Models. [Citation Graph (0, 0)][DBLP ] Conf ] Yoichi Nagashima Measurement of Latency in Interactive Multimedia Art. [Citation Graph (0, 0)][DBLP ] Conf ] Katsuhisa Ishida , Tetsuro Kitahara , Masayuki Takeda ism: Improvisation Supporting System based on Melody Correction. [Citation Graph (0, 0)][DBLP ] Conf ] Eric Singer , Jeff Feddersen , Chad Redmon , Bil Bowen LEMUR's Musical Robots. [Citation Graph (0, 0)][DBLP ] Conf ] Anthony J. Hornof , Linda Sato EyeMusic: Making Music with the Eyes. [Citation Graph (0, 0)][DBLP ] Conf ] Mark Argo The Slidepipe: A Timeline-Based Controller for Real-Time Sample Manipulation. [Citation Graph (0, 0)][DBLP ] Conf ] Matthew Burtner A Theory of Modulated Objects for New Shamanic Controller Design. [Citation Graph (0, 0)][DBLP ] Conf ] Jean-Marc Pelletier A Shape-Based Approach to Computer Vision Musical Performance Systems. [Citation Graph (0, 0)][DBLP ] Conf ] Stephen Hughes , Cormac Cannon , M. Sile O'Modhrain Epipe : A Novel Electronic Woodwind Controller. [Citation Graph (0, 0)][DBLP ] Conf ] Geoffrey C. Morris , Sasha Leitman , Marina Kassianidou SillyTone Squish Factory. [Citation Graph (0, 0)][DBLP ] Conf ] Hans-Christoph Steiner StickMusic: Using haptic feedback with a phase vocoder. [Citation Graph (0, 0)][DBLP ] Conf ] Thierry Coduys , Cyrille Henry , Arshia Cont TOASTER and KROONDE: High-Resolution and High-Speed Real-time Sensor Interfaces. [Citation Graph (0, 0)][DBLP ] Conf ] Suguru Goto , Takahiko Suzuki The Case Study of Application of Advanced Gesture Interface and Mapping Interface, - Virtual Musical Instrument "Le SuperPolm" and Gesture Controller "BodySuit". [Citation Graph (0, 0)][DBLP ] Conf ] Sook Young Won , Humane Chan , Jeremy Liu Light Pipes: A Light Controlled MIDI Instrument. [Citation Graph (0, 0)][DBLP ] Conf ] Takuro Mizuta Lippit Realtime Sample System for the Turntablist version 2: 16padjoystickcontroller. [Citation Graph (0, 0)][DBLP ] Conf ] Michael Eyal Sharon The Stranglophone: Enhancing Expressiveness in Live Electronic Music. [Citation Graph (0, 0)][DBLP ] Conf ] Tomoko Hashida , Yasuaki Kakehi , Takeshi Naemura Ensemble system with i-trace. [Citation Graph (0, 0)][DBLP ] Conf ] 