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Conferences in DBLP

New Interfaces for Musical Expression (nime)
2003 (conf/nime/2003)

  1. Cormac Cannon, Stephen Hughes, M. Sile O'Modhrain
    EpipE: Exploration of the Uilleann Pipes as a Potential Controller for Computer-Based Music. [Citation Graph (0, 0)][DBLP]
    NIME, 2003, pp:3-8 [Conf]
  2. Diana Young, Georg Essl
    HyperPuja: A Tibetan Singing Bowl Controller. [Citation Graph (0, 0)][DBLP]
    NIME, 2003, pp:9-14 [Conf]
  3. Gary P. Scavone
    THE PIPE: Explorations with Breath Control. [Citation Graph (0, 0)][DBLP]
    NIME, 2003, pp:15-18 [Conf]
  4. Marije A. J. Baalman
    The STRIMIDILATOR, a String Controlled MIDI-Instrument. [Citation Graph (0, 0)][DBLP]
    NIME, 2003, pp:19-23 [Conf]
  5. Scott Wilson, Michael Gurevich, Bill Verplank, Pascal Stang
    Microcontrollers in Music HCI Instruction - Reflections on our Switch to the Atmel AVR Platform. [Citation Graph (0, 0)][DBLP]
    NIME, 2003, pp:24-29 [Conf]
  6. Tue Haste Andersen
    Mixxx: Towards Novel DJ Interfaces. [Citation Graph (0, 0)][DBLP]
    NIME, 2003, pp:30-35 [Conf]
  7. Nicola Orio, Serge Lemouton, Diemo Schwarz, Norbert Schnell
    Score Following: State of the Art and New Developments. [Citation Graph (0, 0)][DBLP]
    NIME, 2003, pp:36-41 [Conf]
  8. Caroline Traube, Philippe Depalle, Marcelo M. Wanderley
    Indirect Acquisition of Instrumental Gesture Based on Signal, Physical and Perceptual Information. [Citation Graph (0, 0)][DBLP]
    NIME, 2003, pp:42-48 [Conf]
  9. Yoichi Nagashima
    Bio-Sensing Systems and Bio-Feedback Systems for Interactive Media Arts. [Citation Graph (0, 0)][DBLP]
    NIME, 2003, pp:48-53 [Conf]
  10. Ali Momeni, David Wessel
    Characterizing and Controlling Musical Material Intuitively with Geometric Models. [Citation Graph (0, 0)][DBLP]
    NIME, 2003, pp:54-62 [Conf]
  11. Matthew Burtner
    Composing for the (dis)Embodied Ensemble: Notational Systems in (dis)Appearances. [Citation Graph (0, 0)][DBLP]
    NIME, 2003, pp:63-69 [Conf]
  12. Sergi Jordà
    Sonigraphical Instruments: From FMOL to the reacTable*. [Citation Graph (0, 0)][DBLP]
    NIME, 2003, pp:70-76 [Conf]
  13. Motohide Hatanaka
    Ergonomic Design of a Portable Musical Instrument. [Citation Graph (0, 0)][DBLP]
    NIME, 2003, pp:77-82 [Conf]
  14. Hiroko Shiraiwa, Rodrigo Segnini, Vivian Woo
    Sound Kitchen: Designing a Chemically Controlled Musical Performance. [Citation Graph (0, 0)][DBLP]
    NIME, 2003, pp:83-86 [Conf]
  15. Joel Ryan, Christopher Salter
    TGarden: Wearable Instruments and Augmented Physicality. [Citation Graph (0, 0)][DBLP]
    NIME, 2003, pp:87-90 [Conf]
  16. David Ventura, Kenji Mase
    Duet Musical Companion: Improvisational Interfaces for Children. [Citation Graph (0, 0)][DBLP]
    NIME, 2003, pp:91-94 [Conf]
  17. David M. Howard, Stuart Rimell, Andy D. Hunt
    Force Feedback Gesture Controlled Physical Modelling Synthesis. [Citation Graph (0, 0)][DBLP]
    NIME, 2003, pp:95-98 [Conf]
  18. Reynald Hoskinson, Kees van den Doel, Sidney Fels
    Real-time Adaptive Control of Modal Synthesis. [Citation Graph (0, 0)][DBLP]
    NIME, 2003, pp:99-103 [Conf]
  19. Diana Young, Stefania Serafin
    Playability Evaluation of a Virtual Bowed String Instrument. [Citation Graph (0, 0)][DBLP]
    NIME, 2003, pp:104-108 [Conf]
  20. Lalya Gaye, Ramia Mazé, Lars Erik Holmquist
    Sonic City: The Urban Environment as a Musical Interface. [Citation Graph (0, 0)][DBLP]
    NIME, 2003, pp:109-115 [Conf]
  21. Michael J. Lyons, Michael Haehnel, Nobuji Tetsutani
    Designing, Playing, and Performing with a Vision-based Mouth Interface. [Citation Graph (0, 0)][DBLP]
    NIME, 2003, pp:116-120 [Conf]
  22. Donna Hewitt, Ian Stevenson
    E-mic: Extended Mic-stand Interface Controller. [Citation Graph (0, 0)][DBLP]
    NIME, 2003, pp:122-128 [Conf]
  23. Tina Blaine, Sidney Fels
    Contexts of Collaborative Musical Experiences. [Citation Graph (0, 0)][DBLP]
    NIME, 2003, pp:129-134 [Conf]
  24. Andy Hunt, Ross Kirk
    MidiGrid: Past, Present and Future. [Citation Graph (0, 0)][DBLP]
    NIME, 2003, pp:135-139 [Conf]
  25. Loïc Kessous, Daniel Arfib
    Bimanuality in Alternate Musical Instruments. [Citation Graph (0, 0)][DBLP]
    NIME, 2003, pp:140-145 [Conf]
  26. Paul Modler, Tony Myatt, Michael Saup
    An Experimental Set of Hand Gestures for Expressive Control of Musical Parameters in Realtime. [Citation Graph (0, 0)][DBLP]
    NIME, 2003, pp:146-150 [Conf]
  27. Teresa Marrin Nakra
    Immersion Music: A Progress Report. [Citation Graph (0, 0)][DBLP]
    NIME, 2003, pp:151-152 [Conf]
  28. Matthew Wright, Adrian Freed, Ali Momeni
    OpenSound Control: State of the Art 2003. [Citation Graph (0, 0)][DBLP]
    NIME, 2003, pp:153-159 [Conf]
  29. Christopher Dobrian, Frédéric Bevilacqua
    Gestural Control of Music Using the Vicon 8 Motion Capture System. [Citation Graph (0, 0)][DBLP]
    NIME, 2003, pp:161-163 [Conf]
  30. Kazushi Nishimoto, Chika Oshima, Yohei Miyagawa
    Why Always Versatile?: Dynamically Customizable Musical Instruments Facilitate Expressive Performances. [Citation Graph (0, 0)][DBLP]
    NIME, 2003, pp:164-169 [Conf]
  31. Henry Newton Dunn, Hiroki Nakano, James Gibson
    Block Jam: A Tangible Interface for Interactive Music. [Citation Graph (0, 0)][DBLP]
    NIME, 2003, pp:170-177 [Conf]
  32. Sukandar Kartadinata
    The Gluiph: a Nucleus for Integrated Instruments. [Citation Graph (0, 0)][DBLP]
    NIME, 2003, pp:180-183 [Conf]
  33. Jean-Michel Couturier, Daniel Arfib
    Pointing Fingers: Using Multiple Direct Interactions with Visual Objects to Perform Music. [Citation Graph (0, 0)][DBLP]
    NIME, 2003, pp:184-187 [Conf]
  34. Eric Singer, Kevin Larke, David Bianciardi
    LEMUR GuitarBot: MIDI Robotic String Instrument. [Citation Graph (0, 0)][DBLP]
    NIME, 2003, pp:188-191 [Conf]
  35. Chad Peiper, David Warden, Guy Garnett
    An Interface for Real-time Classification of Articulations Produced by Violin Bowing. [Citation Graph (0, 0)][DBLP]
    NIME, 2003, pp:192-197 [Conf]
  36. Zack Settel, Cort Lippe
    Convolution Brother's Instrument Design. [Citation Graph (0, 0)][DBLP]
    NIME, 2003, pp:197-200 [Conf]
  37. Insook Choi
    A Component Model of Gestural Primitive Throughput. [Citation Graph (0, 0)][DBLP]
    NIME, 2003, pp:201-204 [Conf]
  38. Cléo Palacio-Quintin
    The Hyper-Flute. [Citation Graph (0, 0)][DBLP]
    NIME, 2003, pp:206-207 [Conf]
  39. Jesse T. Allison, Timothy A. Place
    SensorBox: Practical Audio Interface for Gestural Performance. [Citation Graph (0, 0)][DBLP]
    NIME, 2003, pp:208-210 [Conf]
  40. Kevin C. Baird
    Multi-Conductor: An Onscreen Polymetrical Conducting and Notation Display System. [Citation Graph (0, 0)][DBLP]
    NIME, 2003, pp:211-212 [Conf]
  41. Bill Kleinsasser
    Dsp.rack: Laptop-based Modular, Programmable Digital Signal Processing and Mixing for Live Performance. [Citation Graph (0, 0)][DBLP]
    NIME, 2003, pp:213-215 [Conf]
  42. Mathew Laibowitz
    BASIS: A Genesis in Musical Interfaces. [Citation Graph (0, 0)][DBLP]
    NIME, 2003, pp:216-217 [Conf]
  43. David Merrill
    Head-Tracking for Gestural and Continuous Control of Parameterized Audio Effects. [Citation Graph (0, 0)][DBLP]
    NIME, 2003, pp:218-219 [Conf]
  44. Eric Singer
    Sonic Banana: A Novel Bend-Sensor-Based MIDI Controller. [Citation Graph (0, 0)][DBLP]
    NIME, 2003, pp:220-221 [Conf]
  45. David Muth, Ed Burton
    Sodaconductor. [Citation Graph (0, 0)][DBLP]
    NIME, 2003, pp:222-224 [Conf]
  46. Emmanuel Fléty, Marc Sirguy
    EoBody: a Follow-up to AtoMIC Pro's Technology. [Citation Graph (0, 0)][DBLP]
    NIME, 2003, pp:225-226 [Conf]
  47. Joseph A. Paradiso
    Dual-Use Technologies for Electronic Music Controllers: A Personal Perspective. [Citation Graph (0, 0)][DBLP]
    NIME, 2003, pp:228-234 [Conf]
  48. Claude Cadoz, Annie Luciani, Jean-Loup Florens, Nicolas Castagné
    ACROE-ICA. Artistic Creation and Computer Interactive Multisensory Simulation Force Feedback Gesture Transducers. [Citation Graph (0, 0)][DBLP]
    NIME, 2003, pp:235-246 [Conf]
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