Conferences in DBLP
Cormac Cannon , Stephen Hughes , M. Sile O'Modhrain EpipE: Exploration of the Uilleann Pipes as a Potential Controller for Computer-Based Music. [Citation Graph (0, 0)][DBLP ] NIME, 2003, pp:3-8 [Conf ] Diana Young , Georg Essl HyperPuja: A Tibetan Singing Bowl Controller. [Citation Graph (0, 0)][DBLP ] NIME, 2003, pp:9-14 [Conf ] Gary P. Scavone THE PIPE: Explorations with Breath Control. [Citation Graph (0, 0)][DBLP ] NIME, 2003, pp:15-18 [Conf ] Marije A. J. Baalman The STRIMIDILATOR, a String Controlled MIDI-Instrument. [Citation Graph (0, 0)][DBLP ] NIME, 2003, pp:19-23 [Conf ] Scott Wilson , Michael Gurevich , Bill Verplank , Pascal Stang Microcontrollers in Music HCI Instruction - Reflections on our Switch to the Atmel AVR Platform. [Citation Graph (0, 0)][DBLP ] NIME, 2003, pp:24-29 [Conf ] Tue Haste Andersen Mixxx: Towards Novel DJ Interfaces. [Citation Graph (0, 0)][DBLP ] NIME, 2003, pp:30-35 [Conf ] Nicola Orio , Serge Lemouton , Diemo Schwarz , Norbert Schnell Score Following: State of the Art and New Developments. [Citation Graph (0, 0)][DBLP ] NIME, 2003, pp:36-41 [Conf ] Caroline Traube , Philippe Depalle , Marcelo M. Wanderley Indirect Acquisition of Instrumental Gesture Based on Signal, Physical and Perceptual Information. [Citation Graph (0, 0)][DBLP ] NIME, 2003, pp:42-48 [Conf ] Yoichi Nagashima Bio-Sensing Systems and Bio-Feedback Systems for Interactive Media Arts. [Citation Graph (0, 0)][DBLP ] NIME, 2003, pp:48-53 [Conf ] Ali Momeni , David Wessel Characterizing and Controlling Musical Material Intuitively with Geometric Models. [Citation Graph (0, 0)][DBLP ] NIME, 2003, pp:54-62 [Conf ] Matthew Burtner Composing for the (dis)Embodied Ensemble: Notational Systems in (dis)Appearances. [Citation Graph (0, 0)][DBLP ] NIME, 2003, pp:63-69 [Conf ] Sergi Jordà Sonigraphical Instruments: From FMOL to the reacTable*. [Citation Graph (0, 0)][DBLP ] NIME, 2003, pp:70-76 [Conf ] Motohide Hatanaka Ergonomic Design of a Portable Musical Instrument. [Citation Graph (0, 0)][DBLP ] NIME, 2003, pp:77-82 [Conf ] Hiroko Shiraiwa , Rodrigo Segnini , Vivian Woo Sound Kitchen: Designing a Chemically Controlled Musical Performance. [Citation Graph (0, 0)][DBLP ] NIME, 2003, pp:83-86 [Conf ] Joel Ryan , Christopher Salter TGarden: Wearable Instruments and Augmented Physicality. [Citation Graph (0, 0)][DBLP ] NIME, 2003, pp:87-90 [Conf ] David Ventura , Kenji Mase Duet Musical Companion: Improvisational Interfaces for Children. [Citation Graph (0, 0)][DBLP ] NIME, 2003, pp:91-94 [Conf ] David M. Howard , Stuart Rimell , Andy D. Hunt Force Feedback Gesture Controlled Physical Modelling Synthesis. [Citation Graph (0, 0)][DBLP ] NIME, 2003, pp:95-98 [Conf ] Reynald Hoskinson , Kees van den Doel , Sidney Fels Real-time Adaptive Control of Modal Synthesis. [Citation Graph (0, 0)][DBLP ] NIME, 2003, pp:99-103 [Conf ] Diana Young , Stefania Serafin Playability Evaluation of a Virtual Bowed String Instrument. [Citation Graph (0, 0)][DBLP ] NIME, 2003, pp:104-108 [Conf ] Lalya Gaye , Ramia Mazé , Lars Erik Holmquist Sonic City: The Urban Environment as a Musical Interface. [Citation Graph (0, 0)][DBLP ] NIME, 2003, pp:109-115 [Conf ] Michael J. Lyons , Michael Haehnel , Nobuji Tetsutani Designing, Playing, and Performing with a Vision-based Mouth Interface. [Citation Graph (0, 0)][DBLP ] NIME, 2003, pp:116-120 [Conf ] Donna Hewitt , Ian Stevenson E-mic: Extended Mic-stand Interface Controller. [Citation Graph (0, 0)][DBLP ] NIME, 2003, pp:122-128 [Conf ] Tina Blaine , Sidney Fels Contexts of Collaborative Musical Experiences. [Citation Graph (0, 0)][DBLP ] NIME, 2003, pp:129-134 [Conf ] Andy Hunt , Ross Kirk MidiGrid: Past, Present and Future. [Citation Graph (0, 0)][DBLP ] NIME, 2003, pp:135-139 [Conf ] Loïc Kessous , Daniel Arfib Bimanuality in Alternate Musical Instruments. [Citation Graph (0, 0)][DBLP ] NIME, 2003, pp:140-145 [Conf ] Paul Modler , Tony Myatt , Michael Saup An Experimental Set of Hand Gestures for Expressive Control of Musical Parameters in Realtime. [Citation Graph (0, 0)][DBLP ] NIME, 2003, pp:146-150 [Conf ] Teresa Marrin Nakra Immersion Music: A Progress Report. [Citation Graph (0, 0)][DBLP ] NIME, 2003, pp:151-152 [Conf ] Matthew Wright , Adrian Freed , Ali Momeni OpenSound Control: State of the Art 2003. [Citation Graph (0, 0)][DBLP ] NIME, 2003, pp:153-159 [Conf ] Christopher Dobrian , Frédéric Bevilacqua Gestural Control of Music Using the Vicon 8 Motion Capture System. [Citation Graph (0, 0)][DBLP ] NIME, 2003, pp:161-163 [Conf ] Kazushi Nishimoto , Chika Oshima , Yohei Miyagawa Why Always Versatile?: Dynamically Customizable Musical Instruments Facilitate Expressive Performances. [Citation Graph (0, 0)][DBLP ] NIME, 2003, pp:164-169 [Conf ] Henry Newton Dunn , Hiroki Nakano , James Gibson Block Jam: A Tangible Interface for Interactive Music. [Citation Graph (0, 0)][DBLP ] NIME, 2003, pp:170-177 [Conf ] Sukandar Kartadinata The Gluiph: a Nucleus for Integrated Instruments. [Citation Graph (0, 0)][DBLP ] NIME, 2003, pp:180-183 [Conf ] Jean-Michel Couturier , Daniel Arfib Pointing Fingers: Using Multiple Direct Interactions with Visual Objects to Perform Music. [Citation Graph (0, 0)][DBLP ] NIME, 2003, pp:184-187 [Conf ] Eric Singer , Kevin Larke , David Bianciardi LEMUR GuitarBot: MIDI Robotic String Instrument. [Citation Graph (0, 0)][DBLP ] NIME, 2003, pp:188-191 [Conf ] Chad Peiper , David Warden , Guy Garnett An Interface for Real-time Classification of Articulations Produced by Violin Bowing. [Citation Graph (0, 0)][DBLP ] NIME, 2003, pp:192-197 [Conf ] Zack Settel , Cort Lippe Convolution Brother's Instrument Design. [Citation Graph (0, 0)][DBLP ] NIME, 2003, pp:197-200 [Conf ] Insook Choi A Component Model of Gestural Primitive Throughput. [Citation Graph (0, 0)][DBLP ] NIME, 2003, pp:201-204 [Conf ] Cléo Palacio-Quintin The Hyper-Flute. [Citation Graph (0, 0)][DBLP ] NIME, 2003, pp:206-207 [Conf ] Jesse T. Allison , Timothy A. Place SensorBox: Practical Audio Interface for Gestural Performance. [Citation Graph (0, 0)][DBLP ] NIME, 2003, pp:208-210 [Conf ] Kevin C. Baird Multi-Conductor: An Onscreen Polymetrical Conducting and Notation Display System. [Citation Graph (0, 0)][DBLP ] NIME, 2003, pp:211-212 [Conf ] Bill Kleinsasser Dsp.rack: Laptop-based Modular, Programmable Digital Signal Processing and Mixing for Live Performance. [Citation Graph (0, 0)][DBLP ] NIME, 2003, pp:213-215 [Conf ] Mathew Laibowitz BASIS: A Genesis in Musical Interfaces. [Citation Graph (0, 0)][DBLP ] NIME, 2003, pp:216-217 [Conf ] David Merrill Head-Tracking for Gestural and Continuous Control of Parameterized Audio Effects. [Citation Graph (0, 0)][DBLP ] NIME, 2003, pp:218-219 [Conf ] Eric Singer Sonic Banana: A Novel Bend-Sensor-Based MIDI Controller. [Citation Graph (0, 0)][DBLP ] NIME, 2003, pp:220-221 [Conf ] David Muth , Ed Burton Sodaconductor. [Citation Graph (0, 0)][DBLP ] NIME, 2003, pp:222-224 [Conf ] Emmanuel Fléty , Marc Sirguy EoBody: a Follow-up to AtoMIC Pro's Technology. [Citation Graph (0, 0)][DBLP ] NIME, 2003, pp:225-226 [Conf ] Joseph A. Paradiso Dual-Use Technologies for Electronic Music Controllers: A Personal Perspective. [Citation Graph (0, 0)][DBLP ] NIME, 2003, pp:228-234 [Conf ] Claude Cadoz , Annie Luciani , Jean-Loup Florens , Nicolas Castagné ACROE-ICA. Artistic Creation and Computer Interactive Multisensory Simulation Force Feedback Gesture Transducers. [Citation Graph (0, 0)][DBLP ] NIME, 2003, pp:235-246 [Conf ]