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Conferences in DBLP

New Interfaces for Musical Expression (nime)
2002 (conf/nime/2002)

  1. Robert Huott
    An Interface for Precise Musical Control. [Citation Graph (0, 0)][DBLP]
    NIME, 2002, pp:1-5 [Conf]
  2. Lisa McElligott, Edward Dixon, Michelle Dillon
    'PegLegs in Music' - Processing the Effort Generated by Levels of Expressive Gesturing in Music. [Citation Graph (0, 0)][DBLP]
    NIME, 2002, pp:6-10 [Conf]
  3. James Patten, Ben Recht, Hiroshi Ishii
    Audiopad: A Tag-based Interface for Musical Performance. [Citation Graph (0, 0)][DBLP]
    NIME, 2002, pp:11-16 [Conf]
  4. Tina Blaine, Clifton Forlines
    JAM-O-WORLD: Evolution of the Jam-O-Drum into the Jam-O-Whirl Gaming Interface. [Citation Graph (0, 0)][DBLP]
    NIME, 2002, pp:17-22 [Conf]
  5. Roberto Oboe, Giovanni De Poli
    Multi-instrument virtual keyboard - the MIKEY project. [Citation Graph (0, 0)][DBLP]
    NIME, 2002, pp:23-28 [Conf]
  6. Charles Nichols
    The vBow: Development of a Virtual Violin Bow Controller Haptic Human-Computer Interface. [Citation Graph (0, 0)][DBLP]
    NIME, 2002, pp:29-32 [Conf]
  7. Bill Verplank, Michael Gurevich, Max Mathews
    The PLANK: Designing a simple Haptic Controller. [Citation Graph (0, 0)][DBLP]
    NIME, 2002, pp:33-36 [Conf]
  8. Eric Gunther, Glorianna Davenport, M. Sile O'Modhrain
    Cutaneous Grooves: Composing for the Sense of Touch. [Citation Graph (0, 0)][DBLP]
    NIME, 2002, pp:37-43 [Conf]
  9. Atau Tanaka, R. Benjamin Knapp
    Multimodal Interaction in Music Using the Electromyogram and Relative Position Sensing. [Citation Graph (0, 0)][DBLP]
    NIME, 2002, pp:43-48 [Conf]
  10. Alain Baumann, Rosa Sanchez
    Interdisciplinary Applications of New Instruments. [Citation Graph (0, 0)][DBLP]
    NIME, 2002, pp:49-53 [Conf]
  11. Graeme McCaig, Sidney Fels
    Playing on Heart-Strings: Experiences with the 2Hearts system. [Citation Graph (0, 0)][DBLP]
    NIME, 2002, pp:54-59 [Conf]
  12. Florian Vogt, Graeme McCaig, Mir Adnan Ali, Sidney Fels
    Tongue 'n' Groove. [Citation Graph (0, 0)][DBLP]
    NIME, 2002, pp:60-64 [Conf]
  13. Diana Young
    The Hyperbow Controller: Real-Time Dynamics Measurement of Violin Performance. [Citation Graph (0, 0)][DBLP]
    NIME, 2002, pp:65-70 [Conf]
  14. Matthew Burtner
    Noisegate 67 for Metasaxophone: Composition and Performance Considerations of a New Computer Music Controller. [Citation Graph (0, 0)][DBLP]
    NIME, 2002, pp:71-76 [Conf]
  15. Ajay Kapur, Georg Essl, Philip Davidson, Perry R. Cook
    The Electronic Tabla Controller. [Citation Graph (0, 0)][DBLP]
    NIME, 2002, pp:77-81 [Conf]
  16. Carr Wilkerson, Carmen Ng, Stefania Serafin
    The Mutha Rubboard Contoller: Interactive Heritage. [Citation Graph (0, 0)][DBLP]
    NIME, 2002, pp:82-85 [Conf]
  17. Bert Bongers, Yolanda Harris
    A Structured Instrument Design Approach: The Video-Organ. [Citation Graph (0, 0)][DBLP]
    NIME, 2002, pp:86-91 [Conf]
  18. Johannes Taelman
    A low-cost Sonar Interface for Unobtrusive Man-Machine Interfacing. [Citation Graph (0, 0)][DBLP]
    NIME, 2002, pp:92-95 [Conf]
  19. Emmanuel Fléty
    AtoMIC Pro: A Multiple Sensor Acquisition Device. [Citation Graph (0, 0)][DBLP]
    NIME, 2002, pp:96-101 [Conf]
  20. Gideon D'Arcangelo
    Creating a Context for Musical Innovation: A NIME Curriculum. [Citation Graph (0, 0)][DBLP]
    NIME, 2002, pp:102-105 [Conf]
  21. Gil Weinberg, Roberto Aimi, Kevin Jennings
    The Beatbug Network: A Rhythmic System for Interdependent Group Collaboration. [Citation Graph (0, 0)][DBLP]
    NIME, 2002, pp:106-111 [Conf]
  22. Tamara Smyth, Julius O. Smith
    Creating Sustained Tones with the Cicada's Rapid Sequential Buckling Mechanism. [Citation Graph (0, 0)][DBLP]
    NIME, 2002, pp:112-115 [Conf]
  23. Sidney Fels, Florian Vogt
    Tooka: Exploration of Two Person Instruments. [Citation Graph (0, 0)][DBLP]
    NIME, 2002, pp:116-121 [Conf]
  24. Leila Hasan, Nicholas Yu, Joseph A. Paradiso
    The Termenova: A Hybrid Free-Gesture Interface. [Citation Graph (0, 0)][DBLP]
    NIME, 2002, pp:122-127 [Conf]
  25. Daniel Arfib, Jacques Dudon
    A Digital Emulator of the Photosonic Instrument. [Citation Graph (0, 0)][DBLP]
    NIME, 2002, pp:128-131 [Conf]
  26. Sergi Jordà
    Afasia: The Ultimate Homeric One-Man-Multimedia-Band. [Citation Graph (0, 0)][DBLP]
    NIME, 2002, pp:132-137 [Conf]
  27. Norbert Schnell, Marc Battier
    Introducing Composed Instruments: Technical and Musicological Implications. [Citation Graph (0, 0)][DBLP]
    NIME, 2002, pp:138-142 [Conf]
  28. Ashley Gadd, Sidney Fels
    MetaMuse: Metaphors for Expressive Instruments. [Citation Graph (0, 0)][DBLP]
    NIME, 2002, pp:143-148 [Conf]
  29. Andy Hunt, Marcelo M. Wanderley, Matthew Paradis
    The Importance of Parameter Mapping in Electronic Instrument Design. [Citation Graph (0, 0)][DBLP]
    NIME, 2002, pp:149-154 [Conf]
  30. Antonio Camurri, Riccardo Trocca, Gualtiero Volpe
    Interactive Systems Design: A KANSEI based Approach. [Citation Graph (0, 0)][DBLP]
    NIME, 2002, pp:155-162 [Conf]
  31. Tim Hankins, David Merrill, Jocelyn Robert
    Circular Optical Object Locator. [Citation Graph (0, 0)][DBLP]
    NIME, 2002, pp:163-164 [Conf]
  32. Kieran Ferris, Liam J. Bannon
    The Musical Box Garden. [Citation Graph (0, 0)][DBLP]
    NIME, 2002, pp:165-167 [Conf]
  33. Laurel Pardue, Joseph A. Paradiso
    Musical Navigatrics: New Musical Interactions with Passive Magnetic Tags. [Citation Graph (0, 0)][DBLP]
    NIME, 2002, pp:168-170 [Conf]
  34. David Wessel, Matthew Wright, John Schott
    Intimate Musical Control of Computers with a Variety of Controllers and Gesture Mapping Metaphors. [Citation Graph (0, 0)][DBLP]
    NIME, 2002, pp:171-173 [Conf]
  35. Loïc Kessous
    Bi-manual mapping experimentation, with angular fundamental frequency control and sound color navigation. [Citation Graph (0, 0)][DBLP]
    NIME, 2002, pp:174-175 [Conf]
  36. Jean-Michel Couturier
    A Scanned Synthesis virtual instrument. [Citation Graph (0, 0)][DBLP]
    NIME, 2002, pp:176-178 [Conf]
  37. Mark Marshall, Matthias Rath, Breege Moynihan
    The Virtual Bodhran - The Vodhran. [Citation Graph (0, 0)][DBLP]
    NIME, 2002, pp:179-180 [Conf]
  38. Jordan Wynnychuk, Richard Porcher, Luka Brajovic, Marko Brajovic, Nacho Platas
    Music Software Interfacing and 3D Navigation. [Citation Graph (0, 0)][DBLP]
    NIME, 2002, pp:181-182 [Conf]
  39. Kia Ng
    Interactive Gesture Music Performance Interface. [Citation Graph (0, 0)][DBLP]
    NIME, 2002, pp:183-184 [Conf]

  40. IXI Software. [Citation Graph (0, 0)][DBLP]
    NIME, 2002, pp:185- [Conf]

  41. Stanza: Amorphoscapes & Soundtoys. [Citation Graph (0, 0)][DBLP]
    NIME, 2002, pp:186-187 [Conf]
  42. Todd Winkler
    Fusing Movement, Sound, and Video in Falling Up, an Interactive Dance/Theatre Production. [Citation Graph (0, 0)][DBLP]
    NIME, 2002, pp:188- [Conf]
  43. David Bernard
    Experimental Controllers for Live Electronic Music Performance (vs.Copyright). [Citation Graph (0, 0)][DBLP]
    NIME, 2002, pp:189- [Conf]
  44. James Mandelis
    Adaptive Hyperinstruments: Applying Evolutionary Techniques to Sound Synthesis and Performance. [Citation Graph (0, 0)][DBLP]
    NIME, 2002, pp:190-191 [Conf]
  45. Garth Paine
    'Gestation' Installation. [Citation Graph (0, 0)][DBLP]
    NIME, 2002, pp:192-193 [Conf]
  46. Niall Griffith, Ed Hammond, Sean O'Leary, M. Sile O'Modhrain, Donagh O'Shea
    Circles and Seeds: Adapting Kpelle ideas about music performance for collaborative Digital Music performance. [Citation Graph (0, 0)][DBLP]
    NIME, 2002, pp:194-195 [Conf]
  47. Tod Machover
    Instruments, Interactivity, and Inevitability. [Citation Graph (0, 0)][DBLP]
    NIME, 2002, pp:196- [Conf]
  48. Joel Chadabe
    The Limitations of Mapping and a Structural Descriptive in Electronic Instruments. [Citation Graph (0, 0)][DBLP]
    NIME, 2002, pp:197-201 [Conf]
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