Conferences in DBLP
Robert Huott An Interface for Precise Musical Control. [Citation Graph (0, 0)][DBLP ] NIME, 2002, pp:1-5 [Conf ] Lisa McElligott , Edward Dixon , Michelle Dillon 'PegLegs in Music' - Processing the Effort Generated by Levels of Expressive Gesturing in Music. [Citation Graph (0, 0)][DBLP ] NIME, 2002, pp:6-10 [Conf ] James Patten , Ben Recht , Hiroshi Ishii Audiopad: A Tag-based Interface for Musical Performance. [Citation Graph (0, 0)][DBLP ] NIME, 2002, pp:11-16 [Conf ] Tina Blaine , Clifton Forlines JAM-O-WORLD: Evolution of the Jam-O-Drum into the Jam-O-Whirl Gaming Interface. [Citation Graph (0, 0)][DBLP ] NIME, 2002, pp:17-22 [Conf ] Roberto Oboe , Giovanni De Poli Multi-instrument virtual keyboard - the MIKEY project. [Citation Graph (0, 0)][DBLP ] NIME, 2002, pp:23-28 [Conf ] Charles Nichols The vBow: Development of a Virtual Violin Bow Controller Haptic Human-Computer Interface. [Citation Graph (0, 0)][DBLP ] NIME, 2002, pp:29-32 [Conf ] Bill Verplank , Michael Gurevich , Max Mathews The PLANK: Designing a simple Haptic Controller. [Citation Graph (0, 0)][DBLP ] NIME, 2002, pp:33-36 [Conf ] Eric Gunther , Glorianna Davenport , M. Sile O'Modhrain Cutaneous Grooves: Composing for the Sense of Touch. [Citation Graph (0, 0)][DBLP ] NIME, 2002, pp:37-43 [Conf ] Atau Tanaka , R. Benjamin Knapp Multimodal Interaction in Music Using the Electromyogram and Relative Position Sensing. [Citation Graph (0, 0)][DBLP ] NIME, 2002, pp:43-48 [Conf ] Alain Baumann , Rosa Sanchez Interdisciplinary Applications of New Instruments. [Citation Graph (0, 0)][DBLP ] NIME, 2002, pp:49-53 [Conf ] Graeme McCaig , Sidney Fels Playing on Heart-Strings: Experiences with the 2Hearts system. [Citation Graph (0, 0)][DBLP ] NIME, 2002, pp:54-59 [Conf ] Florian Vogt , Graeme McCaig , Mir Adnan Ali , Sidney Fels Tongue 'n' Groove. [Citation Graph (0, 0)][DBLP ] NIME, 2002, pp:60-64 [Conf ] Diana Young The Hyperbow Controller: Real-Time Dynamics Measurement of Violin Performance. [Citation Graph (0, 0)][DBLP ] NIME, 2002, pp:65-70 [Conf ] Matthew Burtner Noisegate 67 for Metasaxophone: Composition and Performance Considerations of a New Computer Music Controller. [Citation Graph (0, 0)][DBLP ] NIME, 2002, pp:71-76 [Conf ] Ajay Kapur , Georg Essl , Philip Davidson , Perry R. Cook The Electronic Tabla Controller. [Citation Graph (0, 0)][DBLP ] NIME, 2002, pp:77-81 [Conf ] Carr Wilkerson , Carmen Ng , Stefania Serafin The Mutha Rubboard Contoller: Interactive Heritage. [Citation Graph (0, 0)][DBLP ] NIME, 2002, pp:82-85 [Conf ] Bert Bongers , Yolanda Harris A Structured Instrument Design Approach: The Video-Organ. [Citation Graph (0, 0)][DBLP ] NIME, 2002, pp:86-91 [Conf ] Johannes Taelman A low-cost Sonar Interface for Unobtrusive Man-Machine Interfacing. [Citation Graph (0, 0)][DBLP ] NIME, 2002, pp:92-95 [Conf ] Emmanuel Fléty AtoMIC Pro: A Multiple Sensor Acquisition Device. [Citation Graph (0, 0)][DBLP ] NIME, 2002, pp:96-101 [Conf ] Gideon D'Arcangelo Creating a Context for Musical Innovation: A NIME Curriculum. [Citation Graph (0, 0)][DBLP ] NIME, 2002, pp:102-105 [Conf ] Gil Weinberg , Roberto Aimi , Kevin Jennings The Beatbug Network: A Rhythmic System for Interdependent Group Collaboration. [Citation Graph (0, 0)][DBLP ] NIME, 2002, pp:106-111 [Conf ] Tamara Smyth , Julius O. Smith Creating Sustained Tones with the Cicada's Rapid Sequential Buckling Mechanism. [Citation Graph (0, 0)][DBLP ] NIME, 2002, pp:112-115 [Conf ] Sidney Fels , Florian Vogt Tooka: Exploration of Two Person Instruments. [Citation Graph (0, 0)][DBLP ] NIME, 2002, pp:116-121 [Conf ] Leila Hasan , Nicholas Yu , Joseph A. Paradiso The Termenova: A Hybrid Free-Gesture Interface. [Citation Graph (0, 0)][DBLP ] NIME, 2002, pp:122-127 [Conf ] Daniel Arfib , Jacques Dudon A Digital Emulator of the Photosonic Instrument. [Citation Graph (0, 0)][DBLP ] NIME, 2002, pp:128-131 [Conf ] Sergi Jordà Afasia: The Ultimate Homeric One-Man-Multimedia-Band. [Citation Graph (0, 0)][DBLP ] NIME, 2002, pp:132-137 [Conf ] Norbert Schnell , Marc Battier Introducing Composed Instruments: Technical and Musicological Implications. [Citation Graph (0, 0)][DBLP ] NIME, 2002, pp:138-142 [Conf ] Ashley Gadd , Sidney Fels MetaMuse: Metaphors for Expressive Instruments. [Citation Graph (0, 0)][DBLP ] NIME, 2002, pp:143-148 [Conf ] Andy Hunt , Marcelo M. Wanderley , Matthew Paradis The Importance of Parameter Mapping in Electronic Instrument Design. [Citation Graph (0, 0)][DBLP ] NIME, 2002, pp:149-154 [Conf ] Antonio Camurri , Riccardo Trocca , Gualtiero Volpe Interactive Systems Design: A KANSEI based Approach. [Citation Graph (0, 0)][DBLP ] NIME, 2002, pp:155-162 [Conf ] Tim Hankins , David Merrill , Jocelyn Robert Circular Optical Object Locator. [Citation Graph (0, 0)][DBLP ] NIME, 2002, pp:163-164 [Conf ] Kieran Ferris , Liam J. Bannon The Musical Box Garden. [Citation Graph (0, 0)][DBLP ] NIME, 2002, pp:165-167 [Conf ] Laurel Pardue , Joseph A. Paradiso Musical Navigatrics: New Musical Interactions with Passive Magnetic Tags. [Citation Graph (0, 0)][DBLP ] NIME, 2002, pp:168-170 [Conf ] David Wessel , Matthew Wright , John Schott Intimate Musical Control of Computers with a Variety of Controllers and Gesture Mapping Metaphors. [Citation Graph (0, 0)][DBLP ] NIME, 2002, pp:171-173 [Conf ] Loïc Kessous Bi-manual mapping experimentation, with angular fundamental frequency control and sound color navigation. [Citation Graph (0, 0)][DBLP ] NIME, 2002, pp:174-175 [Conf ] Jean-Michel Couturier A Scanned Synthesis virtual instrument. [Citation Graph (0, 0)][DBLP ] NIME, 2002, pp:176-178 [Conf ] Mark Marshall , Matthias Rath , Breege Moynihan The Virtual Bodhran - The Vodhran. [Citation Graph (0, 0)][DBLP ] NIME, 2002, pp:179-180 [Conf ] Jordan Wynnychuk , Richard Porcher , Luka Brajovic , Marko Brajovic , Nacho Platas Music Software Interfacing and 3D Navigation. [Citation Graph (0, 0)][DBLP ] NIME, 2002, pp:181-182 [Conf ] Kia Ng Interactive Gesture Music Performance Interface. [Citation Graph (0, 0)][DBLP ] NIME, 2002, pp:183-184 [Conf ] IXI Software. [Citation Graph (0, 0)][DBLP ] NIME, 2002, pp:185- [Conf ] Stanza: Amorphoscapes & Soundtoys. [Citation Graph (0, 0)][DBLP ] NIME, 2002, pp:186-187 [Conf ] Todd Winkler Fusing Movement, Sound, and Video in Falling Up, an Interactive Dance/Theatre Production. [Citation Graph (0, 0)][DBLP ] NIME, 2002, pp:188- [Conf ] David Bernard Experimental Controllers for Live Electronic Music Performance (vs.Copyright). [Citation Graph (0, 0)][DBLP ] NIME, 2002, pp:189- [Conf ] James Mandelis Adaptive Hyperinstruments: Applying Evolutionary Techniques to Sound Synthesis and Performance. [Citation Graph (0, 0)][DBLP ] NIME, 2002, pp:190-191 [Conf ] Garth Paine 'Gestation' Installation. [Citation Graph (0, 0)][DBLP ] NIME, 2002, pp:192-193 [Conf ] Niall Griffith , Ed Hammond , Sean O'Leary , M. Sile O'Modhrain , Donagh O'Shea Circles and Seeds: Adapting Kpelle ideas about music performance for collaborative Digital Music performance. [Citation Graph (0, 0)][DBLP ] NIME, 2002, pp:194-195 [Conf ] Tod Machover Instruments, Interactivity, and Inevitability. [Citation Graph (0, 0)][DBLP ] NIME, 2002, pp:196- [Conf ] Joel Chadabe The Limitations of Mapping and a Structural Descriptive in Electronic Instruments. [Citation Graph (0, 0)][DBLP ] NIME, 2002, pp:197-201 [Conf ]