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Conferences in DBLP

Non-Photorealistic Animation and Rendering (npar)
2000 (conf/npar/2000)

  1. Aaron Hertzmann, Ken Perlin
    Painterly rendering for video and interaction. [Citation Graph (0, 0)][DBLP]
    NPAR, 2000, pp:7-12 [Conf]
  2. Adam Lake, Carl Marshall, Mark Harris, Marc Blackstein
    Stylized rendering techniques for scalable real-time 3D animation. [Citation Graph (0, 0)][DBLP]
    NPAR, 2000, pp:13-20 [Conf]
  3. Scott S. Snibbe, Golan Levin
    Interactive dynamic abstraction. [Citation Graph (0, 0)][DBLP]
    NPAR, 2000, pp:21-29 [Conf]
  4. J. D. Northrup, Lee Markosian
    Artistic silhouettes: a hybrid approach. [Citation Graph (0, 0)][DBLP]
    NPAR, 2000, pp:31-37 [Conf]
  5. John W. Buchanan, Mario Costa Sousa
    The edge buffer: a data structure for easy silhouette rendering. [Citation Graph (0, 0)][DBLP]
    NPAR, 2000, pp:39-42 [Conf]
  6. Ahna Girshick, Victoria Interrante, Steven Haker, Todd Lemoine
    Line direction matters: an argument for the use of principal directions in 3D line drawings. [Citation Graph (0, 0)][DBLP]
    NPAR, 2000, pp:43-52 [Conf]
  7. Michio Shiraishi, Yasushi Yamaguchi
    An algorithm for automatic painterly rendering based on local source image approximation. [Citation Graph (0, 0)][DBLP]
    NPAR, 2000, pp:53-58 [Conf]
  8. Lee Markosian, Barbara J. Meier, Michael A. Kowalski, Loring Holden, J. D. Northrup, John F. Hughes
    Art-based rendering with continuous levels of detail. [Citation Graph (0, 0)][DBLP]
    NPAR, 2000, pp:59-66 [Conf]
  9. Matthew Kaplan, Bruce Gooch, Elaine Cohen
    Interactive artistic rendering. [Citation Graph (0, 0)][DBLP]
    NPAR, 2000, pp:67-74 [Conf]
  10. Domingo Martín, S. García, Juan Carlos Torres
    Observer dependent deformations in illustration. [Citation Graph (0, 0)][DBLP]
    NPAR, 2000, pp:75-82 [Conf]
  11. Jonathan M. Cohen, John F. Hughes, Robert C. Zeleznik
    Harold: aworld made of drawings. [Citation Graph (0, 0)][DBLP]
    NPAR, 2000, pp:83-90 [Conf]
  12. Zsófia Ruttkay, Han Noot
    Animated CharToon faces. [Citation Graph (0, 0)][DBLP]
    NPAR, 2000, pp:91-100 [Conf]
  13. Ian Buck, Adam Finkelstein, Charles E. Jacobs, Allison Klein, David Salesin, Joshua E. Seims, Richard Szeliski, Kentaro Toyama
    Performance-driven hand-drawn animation. [Citation Graph (0, 0)][DBLP]
    NPAR, 2000, pp:101-108 [Conf]
  14. Thomas Strothotte, Stefan Schlechtweg
    Teaching non-photorealistic animation and rendering (panel session). [Citation Graph (0, 0)][DBLP]
    NPAR, 2000, pp:109- [Conf]
  15. G. H. Yeoh
    The "H.E.A.R.T" of stone Human Experience Art Reflection Technology (animation abstract). [Citation Graph (0, 0)][DBLP]
    NPAR, 2000, pp:110- [Conf]
  16. Daniel Borenstein
    Variations (animation abstract). [Citation Graph (0, 0)][DBLP]
    NPAR, 2000, pp:111- [Conf]
  17. Raquel Coelho
    The Tapir (animation abstract). [Citation Graph (0, 0)][DBLP]
    NPAR, 2000, pp:112- [Conf]
  18. Daniel Teece
    Animating with expressive 3D brush strokes (animation abstract). [Citation Graph (0, 0)][DBLP]
    NPAR, 2000, pp:113- [Conf]
  19. Chris Rowland
    Fireflay (animation abstract). [Citation Graph (0, 0)][DBLP]
    NPAR, 2000, pp:114- [Conf]
  20. Emre Yilmaz, Lev Yilmaz
    Bad Night and World Run (animation abstract). [Citation Graph (0, 0)][DBLP]
    NPAR, 2000, pp:115- [Conf]
  21. Christophe Archambault
    Using 3D information to drive 2D painting process (animation abstract). [Citation Graph (0, 0)][DBLP]
    NPAR, 2000, pp:116- [Conf]
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