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Christopher Raphael :
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Christopher Raphael Demonstration of Music Plus One - A Real-Time System for Automatic Orchestral Accompaniment. [Citation Graph (0, 0)][DBLP ] AAAI, 2006, pp:- [Conf ] Issam Bazzi , Christopher LaPre , John Makhoul , Chris Raphael , Richard M. Schwartz Omnifont and Unlimited-Vocabulary OCR for English and Arabic. [Citation Graph (0, 0)][DBLP ] ICDAR, 1997, pp:842-846 [Conf ] Zhidong Lu , Richard M. Schwartz , Christopher Raphael Script-Independent, HMM-Based Text Line Finding for OCR. [Citation Graph (0, 0)][DBLP ] ICPR, 2000, pp:4551-4554 [Conf ] Christopher Raphael Automated Rhythm Transcription. [Citation Graph (0, 0)][DBLP ] ISMIR, 2001, pp:- [Conf ] Christopher Raphael Automatic Transcription of Piano Music. [Citation Graph (0, 0)][DBLP ] ISMIR, 2002, pp:- [Conf ] Christopher Raphael A Hybrid Graphical Model for Aligning Polyphonic Audio with Musical Scores. [Citation Graph (0, 0)][DBLP ] ISMIR, 2004, pp:- [Conf ] Christopher Raphael Demonstration of 'Music Plus One'--- a System for Orchestral Musical Accompanimen. [Citation Graph (0, 0)][DBLP ] ISMIR, 2004, pp:- [Conf ] Chris Raphael A Graphical Model for Recognizing Sung Melodies. [Citation Graph (0, 0)][DBLP ] ISMIR, 2005, pp:658-663 [Conf ] Christopher Raphael , Josh Stoddard Harmonic analysis with probabilistic graphical models. [Citation Graph (0, 0)][DBLP ] ISMIR, 2003, pp:- [Conf ] Josh Stoddard , Christopher Raphael , Paul E. Utgoff Well-Tempered Spelling: A Key Invariant Pitch Spelling Algorithm. [Citation Graph (0, 0)][DBLP ] ISMIR, 2004, pp:- [Conf ] Christopher Raphael A Bayesian Network for Real-Time Musical Accompaniment. [Citation Graph (0, 0)][DBLP ] NIPS, 2001, pp:1433-1439 [Conf ] Christopher Raphael A Mixed Graphical Model for Rhythmic Parsing. [Citation Graph (0, 0)][DBLP ] UAI, 2001, pp:462-471 [Conf ] Christopher Raphael A hybrid graphical model for rhythmic parsing. [Citation Graph (0, 0)][DBLP ] Artif. Intell., 2002, v:137, n:1-2, pp:217-238 [Journal ] Roger B. Dannenberg , Christopher Raphael Music score alignment and computer accompaniment. [Citation Graph (0, 0)][DBLP ] Commun. ACM, 2006, v:49, n:8, pp:38-43 [Journal ] Christopher Raphael Aligning music audio with symbolic scores using a hybrid graphical model. [Citation Graph (0, 0)][DBLP ] Machine Learning, 2006, v:65, n:2-3, pp:389-409 [Journal ] Christopher Raphael Coarse-to-Fine Dynamic Programming. [Citation Graph (0, 0)][DBLP ] IEEE Trans. Pattern Anal. Mach. Intell., 2001, v:23, n:12, pp:1379-1390 [Journal ] Christopher Raphael Automatic Segmentation of Acoustic Musical Signals Using Hidden Markov Models. [Citation Graph (0, 0)][DBLP ] IEEE Trans. Pattern Anal. Mach. Intell., 1999, v:21, n:4, pp:360-370 [Journal ] Music Plus One and Machine Learning. [Citation Graph (, )][DBLP ] Representation and Synthesis of Melodic Expression. [Citation Graph (, )][DBLP ] InTune: a musician's intonation visualization system. [Citation Graph (, )][DBLP ] Search in 0.035secs, Finished in 0.037secs