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Ernest A. Edmonds: [Publications] [Author Rank by year] [Co-authors] [Prefers] [Cites] [Cited by]

Publications of Author

  1. Ernest A. Edmonds, Andrew Martin, Sandra Pauletto
    Audio-visual interfaces in digital art. [Citation Graph (0, 0)][DBLP]
    Advances in Computer Entertainment Technology, 2004, pp:331-336 [Conf]
  2. Ernest A. Edmonds
    Abstraction and Interaction: an Art System for White Noise. [Citation Graph (0, 0)][DBLP]
    CGIV, 2006, pp:423-427 [Conf]
  3. Ernest A. Edmonds, Bryan S. Murray
    Intelligent Presentation and Dialogue Management. [Citation Graph (0, 0)][DBLP]
    Advanced Topics in Artificial Intelligence, 1992, pp:465-476 [Conf]
  4. Stella M. O'Brien, Linda Candy, Ernest A. Edmonds, T. J. Foster, Eddy McDaid
    End-User Knowledge Manipulation Systems: The Speech Knowledge Interface. [Citation Graph (0, 0)][DBLP]
    ACM Conference on Computer Science, 1992, pp:359-366 [Conf]
  5. Linda Candy, Ernest A. Edmonds
    Creative Expertise and Collaborative Technology Design. [Citation Graph (0, 0)][DBLP]
    APCHI, 2004, pp:60-69 [Conf]
  6. Rodney Berry, Masahide Naemura, Yuichi Kobayashi, Masahiro Tada, Naomi Inoue, Yusuf Pisan, Ernest Edmonds
    An interface test-bed for 'Kansei' filters using the touch designer visual programming environment. [Citation Graph (0, 0)][DBLP]
    AUIC, 2006, pp:173-176 [Conf]
  7. James Britton, Linda Candy, Ernest A. Edmonds
    Software Support for Usability Measurement: An Application to Systems Engineering Data Exchange Development. [Citation Graph (0, 0)][DBLP]
    BCS HCI, 1998, pp:37-52 [Conf]
  8. Conn V. Copas, Ernest A. Edmonds
    Executable Task Analysis: Integration Issues. [Citation Graph (0, 0)][DBLP]
    BCS HCI, 1994, pp:339-352 [Conf]
  9. Conn V. Copas, Ernest A. Edmonds
    Declarative Interaction through Interactive Planners. [Citation Graph (0, 0)][DBLP]
    CADUI, 1996, pp:265-284 [Conf]
  10. Ernest A. Edmonds
    Creativity: interacting with computers (panel session). [Citation Graph (0, 0)][DBLP]
    CHI 95 Conference Companion, 1995, pp:185-186 [Conf]
  11. Ernest A. Edmonds, Thomas P. Moran
    Interactive Systems for Supporting the Emergence of Concepts and Ideas. [Citation Graph (0, 0)][DBLP]
    CHI Extended Abstracts, 1997, pp:233- [Conf]
  12. Lesley M. Parks, Ernest A. Edmonds
    A Method for Graphical Input on the WWW. [Citation Graph (0, 0)][DBLP]
    CHI Extended Abstracts, 1997, pp:339-340 [Conf]
  13. Ernest A. Edmonds
    Computers and Creative Thought. [Citation Graph (0, 0)][DBLP]
    ECAI, 1994, pp:779-784 [Conf]
  14. Ernest A. Edmonds
    On creative engagement with interactive art. [Citation Graph (0, 0)][DBLP]
    GRAPHITE, 2005, pp:297- [Conf]
  15. Ernest A. Edmonds, Greg Turner, Linda Candy
    Approaches to interactive art systems. [Citation Graph (0, 0)][DBLP]
    GRAPHITE, 2004, pp:113-117 [Conf]
  16. Ernest A. Edmonds, Linda Candy
    Knowledge Support Systems for Conceptual Design: The Amplification of Creativity. [Citation Graph (0, 0)][DBLP]
    HCI (2), 1993, pp:350-355 [Conf]
  17. Andrew Johnston, Benjamin Marks, Ernest A. Edmonds
    An Artistic Approach to Designing Visualisations to Aid Instrumental Music Learning. [Citation Graph (0, 0)][DBLP]
    CELDA, 2005, pp:175-182 [Conf]
  18. Ernest A. Edmonds, Noriko Hagiwara
    An experiment in interactive architectures. [Citation Graph (0, 0)][DBLP]
    INTERACT, 1990, pp:601-606 [Conf]
  19. Ernest A. Edmonds
    Artists augmented by agents (invited speech). [Citation Graph (0, 0)][DBLP]
    Intelligent User Interfaces, 2000, pp:68-73 [Conf]
  20. Ernest A. Edmonds
    The future of intelligent interfaces: not just ``how?'', but ``what?'' and ``why?''. [Citation Graph (0, 0)][DBLP]
    Intelligent User Interfaces, 1993, pp:13-17 [Conf]
  21. Ernest A. Edmonds, Greg Turner
    Intelligent interaction in art systems. [Citation Graph (0, 0)][DBLP]
    Intelligent User Interfaces, 2004, pp:354-355 [Conf]
  22. Ernest A. Edmonds, Linda Candy, Mark Fell, Roger Knott, Alastair Weakley
    Macaroni Synthesis: A Creative Multimedia Collaboration. [Citation Graph (0, 0)][DBLP]
    IV, 2003, pp:646-651 [Conf]
  23. Greg Turner, Ernest A. Edmonds, Alastair Weakley
    Seeing Eye-to-Eye: Supportive Transdisciplinary Environments for Interactive Art. [Citation Graph (0, 0)][DBLP]
    IV, 2005, pp:912-919 [Conf]
  24. Lizzie Muller, Greg Turner, George Khut, Ernest A. Edmonds
    Creating Affective Visualisations for a Physiologically Interactive Artwork. [Citation Graph (0, 0)][DBLP]
    IV, 2006, pp:651-657 [Conf]
  25. Haishan Huang, Ernest A. Edmonds
    An Experimental Knowledge-Based User Interface Management System. [Citation Graph (0, 0)][DBLP]
    VCHCI, 1993, pp:13-24 [Conf]
  26. Linda Candy, Ernest A. Edmonds
    Modeling co-creativity in art and technology. [Citation Graph (0, 0)][DBLP]
    Creativity & Cognition, 2002, pp:134-141 [Conf]
  27. Linda Candy, Bronac Ferran, Judith Mottram, Ernest A. Edmonds, John Haworth, Jon Pettigrew
    Panel: research into art and technology. [Citation Graph (0, 0)][DBLP]
    Creativity & Cognition, 2002, pp:25-30 [Conf]
  28. Shigeki Amitani, Ernest A. Edmonds
    Knowledge nebula crystallizer for time-based information. [Citation Graph (0, 0)][DBLP]
    Creativity & Cognition, 2005, pp:218-221 [Conf]
  29. Ernest A. Edmonds, Linda Candy, Geoff Cox, Jacob Eisenstein, Gerhard Fischer, Bob Hughes, Thomas T. Hewett
    Individual and/versus social creativity (panel session). [Citation Graph (0, 0)][DBLP]
    Creativity & Cognition, 1999, pp:36-39 [Conf]
  30. Ernest A. Edmonds, Mark Fell
    Kyoto to Sheffield. [Citation Graph (0, 0)][DBLP]
    Creativity & Cognition, 2005, pp:289-290 [Conf]
  31. Andrew Johnston, Shigeki Amitani, Ernest A. Edmonds
    Amplifying reflective thinking in musical performance. [Citation Graph (0, 0)][DBLP]
    Creativity & Cognition, 2005, pp:166-175 [Conf]
  32. Linda Candy, Ernest A. Edmonds
    Introducing creativity to cognition. [Citation Graph (0, 0)][DBLP]
    Creativity & Cognition, 1999, pp:3-6 [Conf]
  33. Linda Candy, Ernest A. Edmonds
    The human element: creativity enhancement with emerging technologies. [Citation Graph (0, 0)][DBLP]
    Commun. ACM, 2000, v:43, n:8, pp:62-65 [Journal]
  34. Ernest A. Edmonds, Linda Candy
    Creativity, art practice, and knowledge. [Citation Graph (0, 0)][DBLP]
    Commun. ACM, 2002, v:45, n:10, pp:91-95 [Journal]
  35. Ernest A. Edmonds, Linda Candy, Rachel M. Jones, Bassel Soufi
    Support for Collaborative Design: Agents and Emergence. [Citation Graph (0, 0)][DBLP]
    Commun. ACM, 1994, v:37, n:7, pp:41-47 [Journal]
  36. Lena Mamykina, Linda Candy, Ernest A. Edmonds
    Collaborative creativity. [Citation Graph (0, 0)][DBLP]
    Commun. ACM, 2002, v:45, n:10, pp:96-99 [Journal]
  37. Ernest A. Edmonds
    Image Handling - The Bringing Together of Computer Graphics and Image Processing. [Citation Graph (0, 0)][DBLP]
    Comput. Graph. Forum, 1983, v:2, n:1, pp:30-34 [Journal]
  38. Dipan Shah, Linda Candy, Ernest A. Edmonds
    An investigation into supporting collaboration over the Internet. [Citation Graph (0, 0)][DBLP]
    Computer Communications, 1998, v:20, n:16, pp:1458-1466 [Journal]
  39. Rachel M. Jones, Conn V. Copas, Ernest A. Edmonds
    GIS Support for Distributed Group-Work in Regional Planning. [Citation Graph (0, 0)][DBLP]
    International Journal of Geographical Information Science, 1997, v:11, n:1, pp:53-71 [Journal]
  40. Linda Candy, Stella M. O'Brien, Ernest A. Edmonds
    End-User Manipulation of a Knowledge-Based System: A Study and an Expert's Practice. [Citation Graph (0, 0)][DBLP]
    International Journal of Man-Machine Studies, 1993, v:38, n:1, pp:129-145 [Journal]
  41. John H. Connolly, Ernest A. Edmonds, J. J. Guzy, S. R. Johnson, A. Woodcock
    Automatic Speech Recognition Based on Spectrogram Reading. [Citation Graph (0, 0)][DBLP]
    International Journal of Man-Machine Studies, 1986, v:24, n:6, pp:611-621 [Journal]
  42. Ernest A. Edmonds
    Lattice Fuzzy Logics. [Citation Graph (0, 0)][DBLP]
    International Journal of Man-Machine Studies, 1980, v:13, n:4, pp:455-465 [Journal]
  43. Ernest A. Edmonds
    Domains of Interest in Fuzzy Sets. [Citation Graph (0, 0)][DBLP]
    International Journal of Man-Machine Studies, 1981, v:15, n:4, pp:461-468 [Journal]
  44. Ernest A. Edmonds
    Negative Knowledge Toward a Strategy for Asking in Logic Programming. [Citation Graph (0, 0)][DBLP]
    International Journal of Man-Machine Studies, 1986, v:24, n:6, pp:597-600 [Journal]
  45. Ernest A. Edmonds, Linda Candy
    Computer support for creativity. [Citation Graph (0, 0)][DBLP]
    International Journal of Man-Machine Studies, 2005, v:63, n:4-5, pp:363-364 [Journal]
  46. Ernest A. Edmonds, Stella M. O'Brien, T. Bayley, Eddy McDaid
    Constructing End-User Knowledge Manipulation Systems. [Citation Graph (0, 0)][DBLP]
    International Journal of Man-Machine Studies, 1993, v:38, n:1, pp:51-70 [Journal]
  47. Ernest A. Edmonds, Alastair Weakley, Linda Candy, Mark Fell, Roger Knott, Sandra Pauletto
    The studio as laboratory: Combining creative practice and digital technology research. [Citation Graph (0, 0)][DBLP]
    International Journal of Man-Machine Studies, 2005, v:63, n:4-5, pp:452-481 [Journal]
  48. Mark Lansdale, Ernest A. Edmonds
    Using Memory for Events in the Design of Personal Filing Systems. [Citation Graph (0, 0)][DBLP]
    International Journal of Man-Machine Studies, 1992, v:36, n:1, pp:97-126 [Journal]
  49. Elizabeth Pollitzer, Ernest A. Edmonds
    Editorial: the evolving partnership between cognitive science and HCI. [Citation Graph (0, 0)][DBLP]
    Int. J. Hum.-Comput. Stud., 1996, v:44, n:6, pp:731-741 [Journal]
  50. Andre Schappo, Ernest A. Edmonds
    Support for Tentative Design: Incorporating the Screen Image, as a Graphical Object, into PROLOG. [Citation Graph (0, 0)][DBLP]
    International Journal of Man-Machine Studies, 1986, v:24, n:6, pp:601-609 [Journal]
  51. Ernest A. Edmonds
    Expert systems and document handling. [Citation Graph (0, 0)][DBLP]
    Inf. Process. Manage., 1987, v:23, n:2, pp:77-80 [Journal]
  52. Conn V. Copas, Ernest A. Edmonds
    Intelligent interfaces through interactive planners. [Citation Graph (0, 0)][DBLP]
    Interacting with Computers, 2000, v:12, n:6, pp:545-564 [Journal]
  53. Ernest A. Edmonds, Dave Everitt, Michael Macaulay, Greg Turner
    On physiological computing with an application in interactive art. [Citation Graph (0, 0)][DBLP]
    Interacting with Computers, 2004, v:16, n:5, pp:897-915 [Journal]
  54. Nick P. Rousseau, Linda Candy, Ernest A. Edmonds
    Influence, Discretion and Time Available: A Case Study of HCI Practice in Software Development. [Citation Graph (0, 0)][DBLP]
    Interacting with Computers, 1993, v:5, n:4, pp:397-411 [Journal]
  55. Ernest A. Edmonds
    Independence of Rose's Axioms for m-Valued Implication. [Citation Graph (0, 0)][DBLP]
    J. Symb. Log., 1969, v:34, n:2, pp:283-284 [Journal]
  56. Ernest A. Edmonds
    Frameworks for knowledge-based systems. [Citation Graph (0, 0)][DBLP]
    Knowl.-Based Syst., 1990, v:3, n:4, pp:187-191 [Journal]
  57. Ernest A. Edmonds
    Design, AI and designers: a challenge. [Citation Graph (0, 0)][DBLP]
    Knowl.-Based Syst., 1992, v:5, n:1, pp:2-0 [Journal]
  58. Ernest A. Edmonds
    Editorial. [Citation Graph (0, 0)][DBLP]
    Knowl.-Based Syst., 1993, v:6, n:1, pp:2- [Journal]
  59. Ernest A. Edmonds
    Editorial. [Citation Graph (0, 0)][DBLP]
    Knowl.-Based Syst., 1993, v:6, n:2, pp:66- [Journal]
  60. Ernest A. Edmonds
    Knowledge-based systems: a new perspective. [Citation Graph (0, 0)][DBLP]
    Knowl.-Based Syst., 1994, v:7, n:1, pp:3-4 [Journal]
  61. Ernest A. Edmonds
    Special section: Creativity and cognition. [Citation Graph (0, 0)][DBLP]
    Knowl.-Based Syst., 1994, v:7, n:4, pp:219-220 [Journal]
  62. Ernest A. Edmonds
    Editorial. [Citation Graph (0, 0)][DBLP]
    Knowl.-Based Syst., 1995, v:8, n:1, pp:3-0 [Journal]
  63. Ernest A. Edmonds, Eddy McDaid
    An architecture for knowledge-based front ends. [Citation Graph (0, 0)][DBLP]
    Knowl.-Based Syst., 1990, v:3, n:4, pp:221-224 [Journal]
  64. G. P. Heliades, Ernest A. Edmonds
    On facilitating knowledge transfer in software design. [Citation Graph (0, 0)][DBLP]
    Knowl.-Based Syst., 1999, v:12, n:7, pp:391-395 [Journal]
  65. G. P. Heliades, Ernest A. Edmonds
    Notation and nature of task in comprehending design rationale. [Citation Graph (0, 0)][DBLP]
    Knowl.-Based Syst., 2000, v:13, n:4, pp:215-224 [Journal]
  66. Rachel M. Jones, Linda Candy, Ernest A. Edmonds
    Knowledge-based system requirements. [Citation Graph (0, 0)][DBLP]
    Knowl.-Based Syst., 1993, v:6, n:1, pp:31-37 [Journal]
  67. Michael Smyth, Ernest A. Edmonds
    Supporting design through the strategic use of shape grammars. [Citation Graph (0, 0)][DBLP]
    Knowl.-Based Syst., 2000, v:13, n:6, pp:385-393 [Journal]
  68. Yun Zhang, Alastair Weakley, Ernest A. Edmonds
    Resolving Assumptions in Art-Technology Collaboration as a Means of Extending Shared Understanding. [Citation Graph (0, 0)][DBLP]
    HCI (9), 2007, pp:204-211 [Conf]
  69. Shigeki Amitani, Ernest A. Edmonds
    A Method for Visualising Possible Contexts. [Citation Graph (0, 0)][DBLP]
    KES (2), 2007, pp:901-908 [Conf]
  70. Zafer Bilda, Ernest A. Edmonds, Deborah Turnbull
    Interactive experience in a public context. [Citation Graph (0, 0)][DBLP]
    Creativity & Cognition, 2007, pp:243-244 [Conf]

  71. The creativity and cognition studios. [Citation Graph (, )][DBLP]


  72. A study in play, pleasure and interaction design. [Citation Graph (, )][DBLP]


  73. Directed and emergent play. [Citation Graph (, )][DBLP]


  74. Supporting remote creative collaboration in film scoring. [Citation Graph (, )][DBLP]


  75. Two generative pieces: port hacking and DC_release. [Citation Graph (, )][DBLP]


  76. Alleviating communication challenges in film scoring: an interaction design approach. [Citation Graph (, )][DBLP]


  77. Exploration and reflection in interactive art: glass pond. [Citation Graph (, )][DBLP]


  78. Resolving ambiguity of scope in remote collaboration: a study in film scoring. [Citation Graph (, )][DBLP]


  79. Open in art, nature and emergence. [Citation Graph (, )][DBLP]


  80. The reflective practitioner: in creation of PEGASYS. [Citation Graph (, )][DBLP]


  81. Our Content: Generative Montage Methods for Multimedia Data. [Citation Graph (, )][DBLP]


  82. Experience evaluation of interactive art: study of GEO landscapes. [Citation Graph (, )][DBLP]


  83. Towards a generic framework for situated collaborative storytelling. [Citation Graph (, )][DBLP]


  84. Shaping Forms on The Web with a Collective Memory. [Citation Graph (, )][DBLP]


  85. Acting Interactively in a Digital World. [Citation Graph (, )][DBLP]


  86. A Grounded Theory Study of Programming in Artist-Programmer Collaborations. [Citation Graph (, )][DBLP]


  87. Establishing research criteria for performed gestures and emotional interaction in an gestural film game: To be or not to be. [Citation Graph (, )][DBLP]


  88. Computation, Interaction and Imagination: Into Virtual Space and Back to Reality. [Citation Graph (, )][DBLP]


  89. The Art of Programming or Programs as Art. [Citation Graph (, )][DBLP]


  90. The Organisation of Time and Space in Three Gestural Media. [Citation Graph (, )][DBLP]


  91. Interactive film and the multiplied self. [Citation Graph (, )][DBLP]


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