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Frank Nack: [Publications] [Author Rank by year] [Co-authors] [Prefers] [Cites] [Cited by]

Publications of Author

  1. Frank Nack, Alan P. Parkes
    The Application of Video Semantics and Theme Representation in Automated Video Editing. [Citation Graph (1, 0)][DBLP]
    Multimedia Tools Appl., 1997, v:4, n:1, pp:57-83 [Journal]
  2. Kateryna Falkovych, Federica Cena, Frank Nack
    Combining Coherence and Adaptation in Discourse-Oriented Hypermedia Generation. [Citation Graph (0, 0)][DBLP]
    AH, 2006, pp:274-278 [Conf]
  3. Stefano Bocconi, Frank Nack, Lynda Hardman
    Supporting the generation of argument structure within video sequences. [Citation Graph (0, 0)][DBLP]
    Hypertext, 2005, pp:75-84 [Conf]
  4. Stefano Bocconi, Frank Nack, Lynda Hardman
    Vox populi: a tool for automatically generating video documentaries. [Citation Graph (0, 0)][DBLP]
    Hypertext, 2005, pp:292-294 [Conf]
  5. Jana Dittmann, Frank Nack, Arnd Steinmetz, Ralf Steinmetz
    Interactive Watermarking Environments. [Citation Graph (0, 0)][DBLP]
    ICMCS, 1998, pp:286-294 [Conf]
  6. Aldo Paradiso, Frank Nack, Georg Fries, Karlheinz Schuhmacher
    The Design of Expressive Cartoons for the Web - Tinky. [Citation Graph (0, 0)][DBLP]
    ICMCS, Vol. 1, 1999, pp:276-281 [Conf]
  7. Lora Aroyo, Frank Nack, Thecla Schiphorst, Hielke Schut, Michiel Kauw A Tjoe
    Personalized ambient media experience: move.me case study. [Citation Graph (0, 0)][DBLP]
    Intelligent User Interfaces, 2007, pp:298-301 [Conf]
  8. Chitra Dorai, Andreas Mauthe, Frank Nack, Lloyd Rutledge, Thomas Sikora, Herbert Zettl
    Media semantics: who needs it and why? [Citation Graph (0, 0)][DBLP]
    ACM Multimedia, 2002, pp:580-583 [Conf]
  9. Frank Nack, Craig A. Lindley
    Production and maintenance environments for interactive audio-visual stories. [Citation Graph (0, 0)][DBLP]
    ACM Multimedia Workshops, 2000, pp:21-24 [Conf]
  10. Frank Nack, Amit Manniesing, Lynda Hardman
    Colour picking: the pecking prder of form and function. [Citation Graph (0, 0)][DBLP]
    ACM Multimedia, 2003, pp:279-282 [Conf]
  11. Frank Nack, Wolfgang Putz
    Designing annotation before it's needed. [Citation Graph (0, 0)][DBLP]
    ACM Multimedia, 2001, pp:251-260 [Conf]
  12. Kateryna Falkovych, Frank Nack, Jacco van Ossenbruggen, Lloyd Rutledge
    SampLe: Towards a Framework for System-supported Multimedia Authoring. [Citation Graph (0, 0)][DBLP]
    MMM, 2004, pp:362-362 [Conf]
  13. Frank Nack, Arnd Steinmetz, Jana Dittmann, Christian Wilk
    A4SM: A Framework for Distributed Digital Video Production. [Citation Graph (0, 0)][DBLP]
    SYBEN, 1998, pp:466-475 [Conf]
  14. Frank Nack, Alan P. Parkes
    Toward the Automated Editing of Theme Oriented Video Sequences. [Citation Graph (0, 0)][DBLP]
    Applied Artificial Intelligence, 1997, v:11, n:4, pp:331-366 [Journal]
  15. Frank Nack
    IEEE Multimedia: Media Impact - Migrating from Mobile Telephony to Multipurpose Gadgets. [Citation Graph (0, 0)][DBLP]
    IEEE Distributed Systems Online, 2003, v:4, n:5, pp:- [Journal]
  16. Jana Dittmann, Frank Nack
    Copyright-Copywrong. [Citation Graph (0, 0)][DBLP]
    IEEE MultiMedia, 2000, v:7, n:4, pp:14-17 [Journal]
  17. Frank Nack
    All Content Counts: The Future in Digital Media Computing is Meta. [Citation Graph (0, 0)][DBLP]
    IEEE MultiMedia, 2000, v:7, n:3, pp:10-13 [Journal]
  18. Frank Nack
    Play the Game. [Citation Graph (0, 0)][DBLP]
    IEEE MultiMedia, 2001, v:8, n:1, pp:8-10 [Journal]
  19. Frank Nack
    Pictures at an Exhibition. [Citation Graph (0, 0)][DBLP]
    IEEE MultiMedia, 2002, v:9, n:2, pp:14-17 [Journal]
  20. Frank Nack
    Aesthetics of Contradiction. [Citation Graph (0, 0)][DBLP]
    IEEE MultiMedia, 2003, v:10, n:1, pp:11-13 [Journal]
  21. Frank Nack
    Migrating from Mobile Telephony to Multipurpose Gadgets. [Citation Graph (0, 0)][DBLP]
    IEEE MultiMedia, 2003, v:10, n:2, pp:8-11 [Journal]
  22. Frank Nack
    The Future in Digital Media Computing is Meta. [Citation Graph (0, 0)][DBLP]
    IEEE MultiMedia, 2004, v:11, n:2, pp:10-13 [Journal]
  23. Frank Nack
    You Must Remember This. [Citation Graph (0, 0)][DBLP]
    IEEE MultiMedia, 2005, v:12, n:1, pp:4-7 [Journal]
  24. Frank Nack, Brett Adams, Svetha Venkatesh
    Authoring Multimedia Authoring Tools. [Citation Graph (0, 0)][DBLP]
    IEEE MultiMedia, 2004, v:11, n:3, pp:4-1 [Journal]
  25. Frank Nack, Adam Lindsay
    Everything You Wanted to Know About MPEG-7: Part 1. [Citation Graph (0, 0)][DBLP]
    IEEE MultiMedia, 1999, v:6, n:3, pp:65-77 [Journal]
  26. Frank Nack, Adam Lindsay
    Everything You Wanted to Know About MPEG-7: Part 2. [Citation Graph (0, 0)][DBLP]
    IEEE MultiMedia, 1999, v:6, n:4, pp:64-73 [Journal]
  27. Frank Nack, Jacco van Ossenbruggen, Lynda Hardman
    That Obscure Object of Desire: Multimedia Metadata on the Web, Part 2. [Citation Graph (0, 0)][DBLP]
    IEEE MultiMedia, 2005, v:12, n:1, pp:54-63 [Journal]
  28. Jacco van Ossenbruggen, Frank Nack, Lynda Hardman
    That Obscure Object of Desire: Multimedia Metadata on the Web, Part 1. [Citation Graph (0, 0)][DBLP]
    IEEE MultiMedia, 2004, v:11, n:4, pp:38-48 [Journal]
  29. Kateryna Falkovych, Frank Nack
    Context aware guidance for multimedia authoring: harmonizing domain and discourse knowledge. [Citation Graph (0, 0)][DBLP]
    Multimedia Syst., 2006, v:11, n:3, pp:226-235 [Journal]
  30. Frank Nack, Wolfgang Putz
    Saying What it Means: Semi-Automated (News) Media Annotation. [Citation Graph (0, 0)][DBLP]
    Multimedia Tools Appl., 2004, v:22, n:3, pp:263-302 [Journal]
  31. Craig A. Lindley, Frank Nack
    Hybrid narrative and categorical strategies for interactive and dynamic video presentation generation. [Citation Graph (0, 0)][DBLP]
    The New Review of Hypermedia and Multimedia, 2000, v:6, n:, pp:- [Journal]
  32. Frank Nack, Lynda Hardman
    Denotative and connotative semantics in hypermedia: proposal for a semiotic-aware architecture. [Citation Graph (0, 0)][DBLP]
    The New Review of Hypermedia and Multimedia, 2002, v:7, n:, pp:- [Journal]
  33. Frank Nack, Menzo Windhouwer, Lynda Hardman, Eric J. Pauwels, Michèle Huijberts
    The role of high-level and low-level features in style-based retrieval and generation of multimedia presentations. [Citation Graph (0, 0)][DBLP]
    The New Review of Hypermedia and Multimedia, 2002, v:7, n:, pp:- [Journal]
  34. Thecla Schiphorst, Frank Nack, Michiel Kauw A Tjoe, Simon de Bakker, Stock, Lora Aroyo, Angel Perez Rosillio, Hielke Schut, Norman Jaffe
    PillowTalk: can we afford intimacy? [Citation Graph (0, 0)][DBLP]
    Tangible and Embedded Interaction, 2007, pp:23-30 [Conf]

  35. Using rhetorical annotations for generating video documentaries. [Citation Graph (, )][DBLP]


  36. Second international workshop on story representation, mechanism and context (SRMC 2008). [Citation Graph (, )][DBLP]


  37. Connecting artists and scientists in multimedia research. [Citation Graph (, )][DBLP]


  38. Automatic generation of biased video sequences. [Citation Graph (, )][DBLP]


  39. Broadcast yourself on YouTube: really? [Citation Graph (, )][DBLP]


  40. Interaction and user experiences with multimedia technologies: challenges and future topics. [Citation Graph (, )][DBLP]


  41. The future of online social interactions: what to expect in 2020. [Citation Graph (, )][DBLP]


  42. The World Is My Oyster - Mobility as a Challenge for Interactive Storytelling. [Citation Graph (, )][DBLP]


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