Conferences in DBLP
Philippe Guillemain , Jonathan Terroir Dynamic Simulation of Note Transitions in Reed Instruments: Application to the Clarinet and the Saxophone. [Citation Graph (0, 0)][DBLP ] Conf ] Christophe Vergez , Patrice Tisserand The BRASS Project, from Physical Models to Virtual Musical Instruments: Playability Issues. [Citation Graph (0, 0)][DBLP ] Conf ] Leonello Tarabella The pureCMusic (pCM++) Framework as Open-Source Music Language. [Citation Graph (0, 0)][DBLP ] Conf ] Snorre Farner , Richard Kronland-Martinet , Thierry Voinier , Sølvi Ystad Timbre Variations as an Attribute of Naturalness in Clarinet Play. [Citation Graph (0, 0)][DBLP ] Conf ] Rodrigo Segnini , Craig Stuart Sapp Scoregram: Displaying Gross Timbre Information from a Score. [Citation Graph (0, 0)][DBLP ] Conf ] Roberto Dillon A Possible Model for Predicting Listeners' Emotional Engagement. [Citation Graph (0, 0)][DBLP ] Conf ] Héctor Bellmann About the Determination of Key of a Musical Excerpt. [Citation Graph (0, 0)][DBLP ] Conf ] Graziano Bertini , Massimo Magrini , Leonello Tarabella An Interactive Musical Exhibit Based on Infrared Sensors. [Citation Graph (0, 0)][DBLP ] Conf ] Mark Havryliv , Terumi Narushima Metris: A Game Environment for Music Performance. [Citation Graph (0, 0)][DBLP ] Conf ] Laurent Pottier Strategies for the Control of Microsound Synthesis Within the "GMU" Project. [Citation Graph (0, 0)][DBLP ] Conf ] Alexander Refsum Jensenius , Rodolphe Koehly , Marcelo M. Wanderley Building Low-Cost Music Controllers. [Citation Graph (0, 0)][DBLP ] Conf ] Mark T. Marshall , Marcelo M. Wanderley Evaluation of Sensors as Input Devices for Computer Music Interfaces. [Citation Graph (0, 0)][DBLP ] Conf ] Kristoffer Jensen Aspects of the Multiple Musical Gestures. [Citation Graph (0, 0)][DBLP ] Conf ] Michelangelo Lupone , Lorenzo Seno Gran Cassa and the Adaptive Instrument Feed-Drum. [Citation Graph (0, 0)][DBLP ] Conf ] Yong-Woo Jeon , In-Kwon Lee , Jong-Chul Yoon Generating and Modifying Melody Using Editable Noise Function. [Citation Graph (0, 0)][DBLP ] Conf ] Lars Graugaard Unifying Performer and Accompaniment. [Citation Graph (0, 0)][DBLP ] Conf ] Giordano Ribeiro de Eulalio Cabral , François Pachet , Jean-Pierre Briot Recognizing Chords with EDS: Part One. [Citation Graph (0, 0)][DBLP ] Conf ] Markus Schedl , Peter Knees , Gerhard Widmer Improving Prototypical Artist Detection by Penalizing Exorbitant Popularity. [Citation Graph (0, 0)][DBLP ] Conf ] Adriano Baratè , Goffredo Haus , Luca A. Ludovico Music Analysis and Modeling Through Petri Nets. [Citation Graph (0, 0)][DBLP ] Conf ] Laurent Daudet A Review on Techniques for the Extraction of Transients in Musical Signals. [Citation Graph (0, 0)][DBLP ] Conf ] Tim Crawford , Jeremy Pickens , Geraint A. Wiggins Dimensionality Reduction in Harmonic Modeling for Music Information Retrieval. [Citation Graph (0, 0)][DBLP ] Conf ] David Lewis , Tim Crawford , Geraint A. Wiggins , Michael Gale Abstracting Musical Queries: Towards a Musicologist's Workbench. [Citation Graph (0, 0)][DBLP ] Conf ] Christophe Rhodes , David Lewis An Editor for Lute Tablature. [Citation Graph (0, 0)][DBLP ] Conf ] Cynthia M. Grund Interdisciplinarity and Computer Music Modeling and Information Retrieval: When Will the Humanities Get into the Act?. [Citation Graph (0, 0)][DBLP ] Conf ] 